Edinburgh German Yearbook 13 – Music in German Politics / Politics in German Music: Edinburgh German Yearbook
Autor Siobhán Donovan, Maria Euchner, Florian Gassner, David G Robb, Peter Brandesen Limba Engleză Hardback – 10 ian 2022
This volume brings together essays by historians, literary scholars, and musicologists on topics concerning the increasing politicization of music, especially since the nineteenth century. They cover a broad spectrum of genres, musicians, and thinkers, discussing the interplay of music and politics in "classical" and popular music: from the rediscovery and repurposing of Martin Luther in nineteenth-century Germany to the exploitation of music during the Third Reich, from the performative politics of German punk and pop music to the influence of the events of 1988/89 on operatic productions in the former GDR - up to the relevance of Ernst Bloch in our contemporary post-truth society.
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Specificații
ISBN-13: 9781640140608
ISBN-10: 1640140603
Pagini: 198
Dimensiuni: 154 x 236 x 16 mm
Greutate: 0.44 kg
Editura: Boydell and Brewer
Seria Edinburgh German Yearbook
ISBN-10: 1640140603
Pagini: 198
Dimensiuni: 154 x 236 x 16 mm
Greutate: 0.44 kg
Editura: Boydell and Brewer
Seria Edinburgh German Yearbook
Cuprins
Contents Introduction: Music and/as Politics in the German Context Maria Euchner and Siobhán Donovan <1>Part I. Appropriations and Misappropriations Martin Luther in Nineteenth-Century Music, Literature, and Politics Florian Gassner The 1848 Revolutionary Lyrics of Hoffmann von Fallersleben, Herwegh, and Freiligrath in the German Folk Song Movement David Robb "Der Kampf geht weiter": The Politics of Cover Versions in German Punk Rock Peter Brandes Son of Kraut and an Old Herero? The Politics of German Pop Musical Memory around 1990 Andrew Wright Hurley <1>Part II. The Political Gesamtkunstwerk: Opera and Film Der Kaiser von Atlantis oder Die Tod-Verweigerung: Opera as Political Defiance Maria Euchner "Volk eilt herzu": Beethoven's Opera Fidelioin Dresden on October 7 and 8, 1989, and Its Ambivalent Afterlife Moray McGowan Soundtracks of the Holocaust in East and West German Cinema: Jakob der Lügner (1974) and Hitler, ein Film aus Deutschland (1977) Matt Lawson <1> Part III. The Uses and Abuses of Music and PoliticsPolitical Ideology, Authentic Performance, and the Romantic Metaphysics of Music: The Case of the Pianist Elly Ney Rolf J. Goebel The Spirits of Utopia and of Disenchantment: Ernst Bloch, Hope, and Music in the Age of Post-Truth Wolfgang Marx Notes on the Contributors