Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. It seems that any simple form of fiction is supposed to be a "fairy tale: " which implies that it has to do with an impossible world of imaginary beings. Now the Egyptian Tales are exactly the opposite of this, they relate the doings and the thoughts of men and women who are human--sometimes "very human." Whatever there is of supernatural elements is a very part of the beliefs and motives of the people whose lives are here pictured. But most of what is here might happen in some corner of our own country to-day, where ancient beliefs may have a home. It is strange that while literature occupies so much attention as at present, and while fiction is the largest division of our book-work, the oldest literature and fiction of the world should yet have remained unpresented to English readers. But research moves forward; and translations that were excellent twenty years ago may now be largely improved, as we attain more insight into the language. For another reason also there is a wide ground for the present volume. In no case have any illustrations been attempted, to give that basis for imagination which is all the more needed when reading of an age and a land unfamiliar to our ideas. When following a narrative, whether of real events or of fiction, many persons--perhaps most--find themselves unconsciously framing in their minds the scenery and the beings of which they are reading. It will be noticed how the growth of the novel is shadowed out in the varied grounds and treatment of the tales. The earliest is purely a collection of marvels or fabulous incidents of the simplest kind. Then we advance to contrasts between town and country, between Egypt and foreign lands. Then personal adventure, and the interest in schemes and successes, becomes the staple material; while only in the later periods does character come in as the groundwork.