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Eliseo Subiela in Life and Cinema

Autor Nancy J. Membrez
en Limba Engleză Paperback – 24 feb 2022
Audiences never have a lukewarm opinion of a Subiela film. They either love it passionately or hate it profoundly. The fact that Eliseo Subiela (Buenos Aires, 1944-2016), an original and sensitive thinker, survived, and indeed, thrived in economically challenged Argentina while garnering more accolades abroad than in his own country, is a tribute to his grit, intelligence, imagination and persistence of vision. One has only to peruse his astounding list of prizes and honors to realize he was a world-class auteur. Even when he was making a TV commercial, his surreal style and sensibility were unmistakable. This book represents the culmination of 20 years of research and personal correspondence with Eliseo Subiela. Through ten scholarly studies and five interviews, it sheds light on Eliseo Subiela's life, aestheticsm, obsessions, struggles with madness, and, of course, his films. It addresses questions about his earlier career in advertising, life-long artistic influences, screenwriting techniques, critical reactions to his films, and what Subiela's example has to offer aspiring filmmakers, especially those in Latin America.
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Specificații

ISBN-13: 9781476676845
ISBN-10: 1476676844
Pagini: 264
Dimensiuni: 178 x 254 x 14 mm
Greutate: 0.46 kg
Editura: McFarland

Notă biografică

Nancy J. Membrez is a professor of Spanish literature, culture, and Spanish and Latin American cinemas, as well as film production, at the University of Texas at San Antonio. She wrote the English subtitles for four Subiela films and produced three featurettes for the Kino Lorber DVD/Blu-ray of Man Facing Southeast. Her own film Portrait in Sepia Tone won Best Picture and Best Soundtrack at the International Filmmakers' Film Festival in Kent, England, in 2008. She lives in San Antonio, Texas.

Descriere

Audiences never have a lukewarm opinion of a Subiela film. They either love it passionately or hate it profoundly. This book represents the culmination of 20 years of research and personal correspondence with Subiela, and sheds light on his life, aestheticsm, obsessions, struggles with madness, and, of course, his films.