Emotion and Meaning in Music
Autor Leonard B. Meyeren Limba Engleză Paperback – 31 ian 1961
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory
"This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor
"It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist
"A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
"It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist
"A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
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Specificații
ISBN-13: 9780226521398
ISBN-10: 0226521397
Pagini: 315
Ilustrații: 104 musical examples
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.34 kg
Editura: University of Chicago Press
Colecția University of Chicago Press
Locul publicării:United States
ISBN-10: 0226521397
Pagini: 315
Ilustrații: 104 musical examples
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.34 kg
Editura: University of Chicago Press
Colecția University of Chicago Press
Locul publicării:United States
Cuprins
I. Theory
II. Expectation and Learning
III. Principles of Pattern Perception: The Law of Good Continuation
IV. Principles of Pattern Perception: Completion and Closure
V. Principles of Pattern Perception: The Weakening of Shape
VI. The Evidence: Deviation in Performance and Tonal Organization
VII. The Evidence: Simultaneous and Successive Deviation
VIII. Note on Image Processes, Connotations, and Moods
Notes
Index
II. Expectation and Learning
III. Principles of Pattern Perception: The Law of Good Continuation
IV. Principles of Pattern Perception: Completion and Closure
V. Principles of Pattern Perception: The Weakening of Shape
VI. The Evidence: Deviation in Performance and Tonal Organization
VII. The Evidence: Simultaneous and Successive Deviation
VIII. Note on Image Processes, Connotations, and Moods
Notes
Index