Engaging the Other: 'Japan' and Its Alter-Egos, 1550-1850: Brill's Japanese Studies Library, cartea 65
Autor Ronald P. Tobyen Limba Engleză Hardback – 6 feb 2019
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Specificații
ISBN-13: 9789004390621
ISBN-10: 9004390626
Pagini: 394
Dimensiuni: 155 x 235 x 28 mm
Greutate: 0.98 kg
Editura: Brill
Colecția Brill
Seria Brill's Japanese Studies Library
ISBN-10: 9004390626
Pagini: 394
Dimensiuni: 155 x 235 x 28 mm
Greutate: 0.98 kg
Editura: Brill
Colecția Brill
Seria Brill's Japanese Studies Library
Cuprins
Acknowledgements
A Word about Language
List of Figures
Introduction: Between Engagement and Imagination
1 Interlude: A Pair of Parables
2 Mapping the Margins: The Ragged Edges of State and Nation
1 Mapping Japan
2 Where Was Early-Modern “Japan?”
3 Reprise
4 Taxonomic Boundaries
5 Nishikawa Joken’s “Japan”
6 Terajima Ryōan and the Wakan sansai zue
7 Hayashi Shihei and the “Three Countries”
8 Margins and Maps
9 Coda
3 Imagining and Imaging “Anthropos”
1 Imaging Difference at Home
2 Brave New World: The Panopticon of Peoples in the Myriad Realms
3 The Encyclopedic Vision: Articulate Selves and Typed Others
4 Toward a Visual Ethnography of a Myriad Lands
4 Indianizing Iberia/Performing Portugal: Responses to the Iberian Irruption
1 Implicit Others and Manifest Men of Inde
2 Setting the Stage
3 Alter Others: Koreans, Okinawans, and Chinese in the Japanese Text
4 The Invasive Other: Fear of Foreigners and the Changing Iconographic Field
5 Performative Possibilities in the Age of Encounter
6 Disengagement and Code-Switching
5 Parades of Difference/Parades of Power
1 Parade Diplomacy
2 Watching the Watchers: Intersecting Gazes in Procession and Parade
3 Edo Culture as Parade
4 Alien Parades
5 The Internal Structure of an “Alien Parade”
6 A Documentary Painting is Not a Sketch
7 Parade in Review
8 How to Wrap a Parade
9 Why Wrap an Alien?
10 How to Watch a Diplomatic Parade
11 “‘Festival Chinamen’ Are More Convincing ‘Chinamen’”
12 Parade-Watching as Festival
13 The Spectator’s Condition
14 The Well-Tempered Spectator
15 Watching the Spectators
16 Seeing and Showing
17 Four Lines of Sight
6 The Birth of the Hairy Barbarian: Ethnic Slur as Cultural Marker
1 Initial Encounters and Radical Others
2 The First Hairy Barbarians
3 With a Flick of the Razor
4 Bearded Boundaries
5 Coxinga’s Pate/Chinese Bodies/Tatar Hair
6 Playing the Hairy Barbarian
7 Envisioning Hair
8 Tying Up Loose Ends
7 The Mountain That Needs No Interpreter: Mt. Fuji and the Foreign
1 National Symbols, Found and Made
2 The Rise of Mt. Fuji
3 On a Clear Day You Can See Forever: Mt. Fuji and the Ambit of the Gods
4 Universal Mt. Fuji as “Scientific” Truth
5 Mt. Fuji’s Growing Reach
6 If the Mountain Won’t Come…: Drawing the Other to Japan
7 Preserve and Protect
8 Kiyomasa Redux
9 Conclusion
Epilogue: Antiphonals of Identity
1 One Costume/Many Scripts
2 Capturing “Korea”
Bibliography
Index
A Word about Language
List of Figures
Introduction: Between Engagement and Imagination
1 Interlude: A Pair of Parables
2 Mapping the Margins: The Ragged Edges of State and Nation
1 Mapping Japan
2 Where Was Early-Modern “Japan?”
3 Reprise
4 Taxonomic Boundaries
5 Nishikawa Joken’s “Japan”
6 Terajima Ryōan and the Wakan sansai zue
7 Hayashi Shihei and the “Three Countries”
8 Margins and Maps
9 Coda
3 Imagining and Imaging “Anthropos”
1 Imaging Difference at Home
2 Brave New World: The Panopticon of Peoples in the Myriad Realms
3 The Encyclopedic Vision: Articulate Selves and Typed Others
4 Toward a Visual Ethnography of a Myriad Lands
4 Indianizing Iberia/Performing Portugal: Responses to the Iberian Irruption
1 Implicit Others and Manifest Men of Inde
2 Setting the Stage
3 Alter Others: Koreans, Okinawans, and Chinese in the Japanese Text
4 The Invasive Other: Fear of Foreigners and the Changing Iconographic Field
5 Performative Possibilities in the Age of Encounter
6 Disengagement and Code-Switching
5 Parades of Difference/Parades of Power
1 Parade Diplomacy
2 Watching the Watchers: Intersecting Gazes in Procession and Parade
3 Edo Culture as Parade
4 Alien Parades
5 The Internal Structure of an “Alien Parade”
6 A Documentary Painting is Not a Sketch
7 Parade in Review
8 How to Wrap a Parade
9 Why Wrap an Alien?
10 How to Watch a Diplomatic Parade
11 “‘Festival Chinamen’ Are More Convincing ‘Chinamen’”
12 Parade-Watching as Festival
13 The Spectator’s Condition
14 The Well-Tempered Spectator
15 Watching the Spectators
16 Seeing and Showing
17 Four Lines of Sight
6 The Birth of the Hairy Barbarian: Ethnic Slur as Cultural Marker
1 Initial Encounters and Radical Others
2 The First Hairy Barbarians
3 With a Flick of the Razor
4 Bearded Boundaries
5 Coxinga’s Pate/Chinese Bodies/Tatar Hair
6 Playing the Hairy Barbarian
7 Envisioning Hair
8 Tying Up Loose Ends
7 The Mountain That Needs No Interpreter: Mt. Fuji and the Foreign
1 National Symbols, Found and Made
2 The Rise of Mt. Fuji
3 On a Clear Day You Can See Forever: Mt. Fuji and the Ambit of the Gods
4 Universal Mt. Fuji as “Scientific” Truth
5 Mt. Fuji’s Growing Reach
6 If the Mountain Won’t Come…: Drawing the Other to Japan
7 Preserve and Protect
8 Kiyomasa Redux
9 Conclusion
Epilogue: Antiphonals of Identity
1 One Costume/Many Scripts
2 Capturing “Korea”
Bibliography
Index
Notă biografică
Ronald P. Toby, (Ph.D., Columbia University, 1977), a historian of early-modern Japan, is Professor Emeritus of History and East Asian Studies at the University of Illinois. His books include State and Diplomacy in Early Modern Japan (1984) and Sakoku’ to iu gaikō (2008).