Essays on Literature and Music (1967-2004) by Steven Paul Scher: Word and Music Studies, cartea 5
Walter Bernhart, Werner Wolfen Limba Engleză Paperback – 31 dec 2003
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Specificații
ISBN-13: 9789042017528
ISBN-10: 904201752X
Dimensiuni: 155 x 235 mm
Greutate: 0.82 kg
Editura: Brill
Colecția Brill
Seria Word and Music Studies
ISBN-10: 904201752X
Dimensiuni: 155 x 235 mm
Greutate: 0.82 kg
Editura: Brill
Colecția Brill
Seria Word and Music Studies
Cuprins
Preface
Walter BERNHART: Masterminding Word and Music Studies: A Tribute to Steven Paul Scher
Essays on Literature and Music by Steven Paul Scher
Thomas Mann’s ‘Verbal Score’: Adrian Leverkühn’s Symbolic Confession (1967)
Notes Toward a Theory of Verbal Music (1970)
How Meaningful is ‘Musical’ in Literary Criticism? (1972)
Brecht’s Die sieben Todsünden der Kleinbürger: Emblematic Structure as Epic Spectacle (1974)
“O Wort, du Wort, das mir fehlt!”: Der Realismusbegriff in der Musik (1975)
Kreativität als Selbstüberwindung: Thomas Manns permanente ‘Wagner-Krise’ (1976)
Temporality and Mediation: W. H. Wackenroder and E. T. A. Hoffmann as Literary Historicists of Music (1976)
Carl Maria von Weber’s Tonkünstlers Leben: The Composer as Novelist? (1978)
Beethoven and the Word: Literary Affinity or Artistic Necessity? (1980/81)
Comparing Literature and Music: Current Trends and Prospects in Critical Theory and Methodology (1981)
Literature and Music (1982)
Theory in Literature, Analysis in Music: What Next? (1983)
Comparing Poetry and Music: Beethoven’s Goethe Lieder as Composed Reading (1986)
The Strauss-Hofmannsthal Operatic Experiment: Tradition, Modernity, or Avant-Garde? (1987)
E. T. A. Hoffmann: Der Dichter als Komponist (1987)
Mignon in Music (1988)
The German Lied: A Genre and Its European Reception (1990)
“Tutto nel mondo è burla”: Humor in Music? (1991)
Liszt and Literature (1991)
Musicopoetics or Melomania: Is There a Theory behind Music in German Literature? (1992)
Hoffmann, Weber, Wagner: The Birth of Romantic Opera from the Spirit of Literature? (1992)
Der Opernkomponist Hoffmann und das europäische Musiktheater seiner Zeit (1993)
Da Ponte und Mozart: Wort und Ton in Don Giovanni (1994)
Acoustic Experiment as Ephemeral Spectacle?: Musical Futurism, Dada, Cage, and the Talking Heads (1994)
Mozart – an Epistolary Aesthetician? (1997)
E. T. A. Hoffmanns “Der Dichter und der Komponist”: Manifest romantischer Librettologie oder melopoetische Erzählfiktion? (1998)
Melopoetics Revisited: Reflections on Theorizing Word and Music Studies (1999)
Judith Weir’s Heaven Ablaze in His Breast: A Postmodern Dance Opera Based on E. T. A. Hoffmann’s “The Sandman” (2000/2004)
Eine Berlinische Geschichte: Hoffmanns Brautwahl in Busonis Opernbuch? (2004)
Sources
Acknowledgements
Walter BERNHART: Masterminding Word and Music Studies: A Tribute to Steven Paul Scher
Essays on Literature and Music by Steven Paul Scher
Thomas Mann’s ‘Verbal Score’: Adrian Leverkühn’s Symbolic Confession (1967)
Notes Toward a Theory of Verbal Music (1970)
How Meaningful is ‘Musical’ in Literary Criticism? (1972)
Brecht’s Die sieben Todsünden der Kleinbürger: Emblematic Structure as Epic Spectacle (1974)
“O Wort, du Wort, das mir fehlt!”: Der Realismusbegriff in der Musik (1975)
Kreativität als Selbstüberwindung: Thomas Manns permanente ‘Wagner-Krise’ (1976)
Temporality and Mediation: W. H. Wackenroder and E. T. A. Hoffmann as Literary Historicists of Music (1976)
Carl Maria von Weber’s Tonkünstlers Leben: The Composer as Novelist? (1978)
Beethoven and the Word: Literary Affinity or Artistic Necessity? (1980/81)
Comparing Literature and Music: Current Trends and Prospects in Critical Theory and Methodology (1981)
Literature and Music (1982)
Theory in Literature, Analysis in Music: What Next? (1983)
Comparing Poetry and Music: Beethoven’s Goethe Lieder as Composed Reading (1986)
The Strauss-Hofmannsthal Operatic Experiment: Tradition, Modernity, or Avant-Garde? (1987)
E. T. A. Hoffmann: Der Dichter als Komponist (1987)
Mignon in Music (1988)
The German Lied: A Genre and Its European Reception (1990)
“Tutto nel mondo è burla”: Humor in Music? (1991)
Liszt and Literature (1991)
Musicopoetics or Melomania: Is There a Theory behind Music in German Literature? (1992)
Hoffmann, Weber, Wagner: The Birth of Romantic Opera from the Spirit of Literature? (1992)
Der Opernkomponist Hoffmann und das europäische Musiktheater seiner Zeit (1993)
Da Ponte und Mozart: Wort und Ton in Don Giovanni (1994)
Acoustic Experiment as Ephemeral Spectacle?: Musical Futurism, Dada, Cage, and the Talking Heads (1994)
Mozart – an Epistolary Aesthetician? (1997)
E. T. A. Hoffmanns “Der Dichter und der Komponist”: Manifest romantischer Librettologie oder melopoetische Erzählfiktion? (1998)
Melopoetics Revisited: Reflections on Theorizing Word and Music Studies (1999)
Judith Weir’s Heaven Ablaze in His Breast: A Postmodern Dance Opera Based on E. T. A. Hoffmann’s “The Sandman” (2000/2004)
Eine Berlinische Geschichte: Hoffmanns Brautwahl in Busonis Opernbuch? (2004)
Sources
Acknowledgements