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Autor Christian Kracht Traducere de Daniel Bowlesen Limba Engleză Paperback – 11 iul 2024
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Specificații
ISBN-13: 9781805223047
ISBN-10: 1805223046
Pagini: 192
Dimensiuni: 128 x 196 x 20 mm
Greutate: 0.17 kg
Ediția:Main
Editura: Profile
Colecția Serpent's Tail
Locul publicării:London, United Kingdom
ISBN-10: 1805223046
Pagini: 192
Dimensiuni: 128 x 196 x 20 mm
Greutate: 0.17 kg
Ediția:Main
Editura: Profile
Colecția Serpent's Tail
Locul publicării:London, United Kingdom
Notă biografică
Christian Kracht is a Swiss novelist whose work has been translated into thirty languages. His novels include Faserland, 1979, Imperium - which was the recipient of the Wilhelm Raabe literature prize, and one of Publisher's Weekly ten best books of 2015 - and, most recently, The Dead, which won the Swiss Book Prize and the Hermann Hesse Award.
Recenzii
Praise for Christian Kracht:Whether he's fictionalizing history in order to question the validity of history, or fictionalizing himself in order to question the validity of self, it is by now apparent to me and to his many readers that Christian Kracht is the great German-language writer of his generation.
Christian Kracht is a master of the well-formed sentence, the elegance of which conceals horror. His novels involve Germany, ghosts, war and madness, and every conceivable fright, but they are also full of melancholy comedy, and they all hide a secret that one never quite fathoms.
Imperium is astonishing and captivating, a tongue-in-cheek Conradian literary adventure for our time.
The Dead is a story of love and sadness in times when the weak were broken by the unforgiving ideologies of fascism and National Socialism . . . I read The Dead twice in a row, first for the story and then for the beauty of the prose.
To say a word about Christian Kracht's Imperium would be like engraving Goethe's Conversations of German Refugees into an orange seed. Or perhaps into a coconut? ... An adventure novel. No doubt. That there even is still such a thing
Christian Kracht is a master of the well-formed sentence, the elegance of which conceals horror. His novels involve Germany, ghosts, war and madness, and every conceivable fright, but they are also full of melancholy comedy, and they all hide a secret that one never quite fathoms.
Imperium is astonishing and captivating, a tongue-in-cheek Conradian literary adventure for our time.
The Dead is a story of love and sadness in times when the weak were broken by the unforgiving ideologies of fascism and National Socialism . . . I read The Dead twice in a row, first for the story and then for the beauty of the prose.
To say a word about Christian Kracht's Imperium would be like engraving Goethe's Conversations of German Refugees into an orange seed. Or perhaps into a coconut? ... An adventure novel. No doubt. That there even is still such a thing