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Exceptional Violence – Embodied Citizenship in Transnational Jamaica

Autor Deborah A. Thomas
en Limba Engleză Paperback – 4 oct 2011
Exceptional Violence is a sophisticated examination of postcolonial state formation in Caribbean, considered across time and space, from the period of imperial New World expansion to the contemporary neoliberal era, and from Kingston neighbourhoods to the broader transnational socioeconomic and political field. Deborah A. Thomas takes as her immediate focus violence in Jamaica and representations of that violence as they circulate in the country and abroad. Through an analysis encompassing Kingston communities, Jamaica’s national media, works of popular culture, notions of respectability, practices of punishment and discipline during slavery, the effects of intensified migration, and Jamaica’s national cultural policy, Thomas develops several arguments. Violence in Jamaica is the complicated result of a structural history of colonialism and underdevelopment, not a cultural characteristic passed from one generation to the next. Citizenship is embodied; scholars must be attentive to how race, gender, and sexuality have been made to matter over time. Suggesting that U.S. anthropology should engage more deeply with history and political economy, Thomas mobilizes a concept of reparations as a framework for thinking, a rubric useful in its emphasis on structural and historical lineages.
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Specificații

ISBN-13: 9780822350866
ISBN-10: 0822350866
Pagini: 320
Ilustrații: 11 illustrations
Dimensiuni: 160 x 236 x 21 mm
Greutate: 0.36 kg
Ediția:New.
Editura: MD – Duke University Press

Recenzii

"Over the course of five chapters, Thomas embraces a variety of methodological approaches, including sociological and historical analysis, anthropological tools, and literary criticism, to explore how citizenship and violence have been understood--or, as she aptly puts it, embodied--by Jamaicans since the end of the colonial era. She uses numerous sources, including newspaper articles, government reports, oral history, music, film, and fiction, to investigate widely varying topics, from the eruption of gang warfare in the small Jamaican community of Jacks Hill and a public debate over nudity in the statue Redemption Song, to the official cultural policy of the Jamaican state and the Rastafarian experience." Anne Rush, University of Maryland, H-Empire

“In this supremely engaging book, Deborah A. Thomas does to death a number of procrustean, often racist, preconceptions about violence in Jamaica--and, by extension, other post-colonies. Arguing persuasively against ‘culturalist’ explanations, she seeks to make sense of both the incidence and the preoccupation with violence here--for its exceptionality, that is, in all senses of the term--by placing it in its proper historical context, one that turns out to be highly complex, deeply entangled, temporally disjunctive. But she does more than this. Thomas opens up a window in the very soul of Jamaica and its diasporas, interrogating the ways in which Jamaicans today envisage and make their futures, how new, embodied forms of subjectivity and citizenship are being practiced and performed, how, indeed, we may understand the role of ‘culture’ and representation in these processes. Exceptional Violence is the kind of book from which every anthropologist, every intelligent reader--without exception--will learn something worth knowing. And thinking deeply about.” John Comaroff, University of Chicago and the American Bar Foundation

“Deborah Thomas’ Exceptional Violence is at once methodologically astute, richly researched, and critically engaged. In reframing the historical object of violence in Jamaica she enables us to see hitherto obscured dimensions of its embodied constitution as social practice and social imaginary, its relation to citizenship and gender, the state and community, racial subjectivities, and transnational migrations. It is a fine achievement.” David Scott, Columbia University


"Over the course of five chapters, Thomas embraces a variety of methodological approaches, including sociological and historical analysis, anthropological tools, and literary criticism, to explore how citizenship and violence have been understood--or, as she aptly puts it, embodied--by Jamaicans since the end of the colonial era. She uses numerous sources, including newspaper articles, government reports, oral history, music, film, and fiction, to investigate widely varying topics, from the eruption of gang warfare in the small Jamaican community of Jacks Hill and a public debate over nudity in the statue Redemption Song, to the official cultural policy of the Jamaican state and the Rastafarian experience." Anne Rush, University of Maryland, H-Empire "In this supremely engaging book, Deborah A. Thomas does to death a number of procrustean, often racist, preconceptions about violence in Jamaica--and, by extension, other post-colonies. Arguing persuasively against 'culturalist' explanations, she seeks to make sense of both the incidence and the preoccupation with violence here--for its exceptionality, that is, in all senses of the term--by placing it in its proper historical context, one that turns out to be highly complex, deeply entangled, temporally disjunctive. But she does more than this. Thomas opens up a window in the very soul of Jamaica and its diasporas, interrogating the ways in which Jamaicans today envisage and make their futures, how new, embodied forms of subjectivity and citizenship are being practiced and performed, how, indeed, we may understand the role of 'culture' and representation in these processes. Exceptional Violence is the kind of book from which every anthropologist, every intelligent reader--without exception--will learn something worth knowing. And thinking deeply about." John Comaroff, University of Chicago and the American Bar Foundation "Deborah Thomas' Exceptional Violence is at once methodologically astute, richly researched, and critically engaged. In reframing the historical object of violence in Jamaica she enables us to see hitherto obscured dimensions of its embodied constitution as social practice and social imaginary, its relation to citizenship and gender, the state and community, racial subjectivities, and transnational migrations. It is a fine achievement." David Scott, Columbia University

Notă biografică


Cuprins

Acknowledgments ix
Introduction. Moving Bodies 1
1. Dead Bodies, 2004¿2005 23
2. Deviant Bodies, 2005/1945 53
3. Spectacular Bodies, 1816/2007 87
4. Public Bodies, 2003 125
5. Resurrected Bodies, 1963/2007 173
CODA Repairing Bodies 221
Notes 239
References 257
Index 289

Descriere

This ethnography of violence in Jamaica repudiates cultural explanations for violence, arguing that its roots lie in deep racialized and gendered inequalities produced in imperial slave economies