Exhibiting Cinema in Contemporary Art: Film Culture in Transition
Autor Erika Balsomen Limba Engleză Paperback – 15 aug 2013
Din seria Film Culture in Transition
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Specificații
ISBN-13: 9789089644718
ISBN-10: 9089644717
Pagini: 250
Ilustrații: 29 halftones
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.44 kg
Editura: Amsterdam University Press
Colecția Amsterdam University Press
Seria Film Culture in Transition
ISBN-10: 9089644717
Pagini: 250
Ilustrații: 29 halftones
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.44 kg
Editura: Amsterdam University Press
Colecția Amsterdam University Press
Seria Film Culture in Transition
Notă biografică
Erika Balsom is assistant professor of film studies at Carleton University in Ottawa.
Cuprins
Acknowledgements
Introduction – The Othered Cinema
Chapter 1: Architectures of Exhibition
The “Passages” of Cinema
Projection and Patrimony
Black Box/White Cube
The New Blockbusters
The Myth of Activity
Media at MoMA
Chapter 2: Filmic Ruins
Post-medium Post-mortem
Indexing the Past
A Little History of 16mm
Ruinophilia
Analogue Aura
Chapter 3: The Remake: Old Movies, New Narratives
Ambivalent Appropriations
The Four Operations
Precursors
The False Promises of the “Utopia of Use”
Remaking Fandom
“Room-for-Play”
VCR Memories
Chapter 4: The Fiction of Truth and the Truth of Fiction
Anti-anti-illusionism
Hybrid Forms
Rehabilitating Narrative
A Return of the Deal
Two Images of Death
Conclusion – “Cinema and…”
Notes
Bibliography
Illustration Credits
Index
Introduction – The Othered Cinema
Chapter 1: Architectures of Exhibition
The “Passages” of Cinema
Projection and Patrimony
Black Box/White Cube
The New Blockbusters
The Myth of Activity
Media at MoMA
Chapter 2: Filmic Ruins
Post-medium Post-mortem
Indexing the Past
A Little History of 16mm
Ruinophilia
Analogue Aura
Chapter 3: The Remake: Old Movies, New Narratives
Ambivalent Appropriations
The Four Operations
Precursors
The False Promises of the “Utopia of Use”
Remaking Fandom
“Room-for-Play”
VCR Memories
Chapter 4: The Fiction of Truth and the Truth of Fiction
Anti-anti-illusionism
Hybrid Forms
Rehabilitating Narrative
A Return of the Deal
Two Images of Death
Conclusion – “Cinema and…”
Notes
Bibliography
Illustration Credits
Index
Recenzii
“This book is one I have been hoping to encounter for quite a while. It is rich in theoretical reflections as well as critical analyses of works, and makes a very strong case for a new form of art and a new form of cinema in one. It is theoretically complex and elegantly written.”
"Exhibiting Cinema in Contemporary Art is our first sustained critical history of one of the most important dimensions of contemporary art: the encounter of the cinema with the museum, the art gallery, and new practices of moving image installation. It is also a deep examination of the persistence of a certain memory of cinema that persists as a subject of critical re-examination by the most fascinating artists of our time. It is a path-breaking book that will long remain unsurpassable."