Expositional Modes and Temporal Ordering in Fiction
Autor Meir Sternbergen Limba Engleză Paperback – 21 mar 1993
Preț: 134.64 lei
Nou
Puncte Express: 202
Preț estimativ în valută:
25.78€ • 26.79$ • 21.37£
25.78€ • 26.79$ • 21.37£
Carte tipărită la comandă
Livrare economică 07-21 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780253207913
ISBN-10: 0253207916
Pagini: 352
Ilustrații: black & white illustrations
Dimensiuni: 177 x 233 x 19 mm
Greutate: 0.45 kg
Editura: MH – Indiana University Press
ISBN-10: 0253207916
Pagini: 352
Ilustrații: black & white illustrations
Dimensiuni: 177 x 233 x 19 mm
Greutate: 0.45 kg
Editura: MH – Indiana University Press
Cuprins
Chapter One
What is Exposition? An Essay in Temporal Delimitation
Chapter Two
Exposition and Order of Presentation: Some Preliminary Notes
Chapter Three
Delayed and Distributed Exposition in the Odyssey: The Dynamics of Narrative Interest
Chapter Four
Order of Presentation, Delayed and Distributed Exposition, and Strategies of Rhetorical Control
Chapter Five
The Rhetoric of Anticipatory Caution: First Impressions in "First Impressions" and the Poetics of Jane Austen
Chapter Six
Retardatory Structure, Expositional Suspension, and the Detective Story
Chapter Seven
A Plea for Preliminary and Concentrated Exposition: The Cases of Trollope and Balzac
Chapter Eight
Expositional Motivation, Temporal Structure, and Point of View (1): Varieties of Omniscient Narration
Chapter Nine
Expositional Motivation, Temporal Structure, and Point of View (2): Restricted and Self-Restricted Narration
Notes
Index
What is Exposition? An Essay in Temporal Delimitation
Chapter Two
Exposition and Order of Presentation: Some Preliminary Notes
Chapter Three
Delayed and Distributed Exposition in the Odyssey: The Dynamics of Narrative Interest
Chapter Four
Order of Presentation, Delayed and Distributed Exposition, and Strategies of Rhetorical Control
Chapter Five
The Rhetoric of Anticipatory Caution: First Impressions in "First Impressions" and the Poetics of Jane Austen
Chapter Six
Retardatory Structure, Expositional Suspension, and the Detective Story
Chapter Seven
A Plea for Preliminary and Concentrated Exposition: The Cases of Trollope and Balzac
Chapter Eight
Expositional Motivation, Temporal Structure, and Point of View (1): Varieties of Omniscient Narration
Chapter Nine
Expositional Motivation, Temporal Structure, and Point of View (2): Restricted and Self-Restricted Narration
Notes
Index