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Expressive Forms in Brahms`s Instrumental Music – Structure and Meaning in His Werther Quartet

Autor Peter H. Smith
en Limba Engleză Hardback – 6 iul 2005
"This book is a substantial and timely contribution to Brahms studies. Its strategy is to focus on a single critical work, the C-Minor Piano Quartet, analyzing and interpreting it in great detail, but also using it as a stepping-stone to connect it to other central Brahms works in order to reach a new understanding of the composer s technical language and expressive intent. It is an original and worthy contribution on the music of a major composer." Patrick McCreless
Expressive Forms in Brahms s Instrumental Music integrates a wide variety of analytical methods into a broader study of theoretical approaches, using a single work by Brahms as a case study. On the basis of his findings, Smith considers how Brahms s approach in this piano quartet informs analyses of similar works by Brahms as well as by Beethoven and Mozart.
Musical Meaning and Interpretation Robert S. Hatten, editor"
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Specificații

ISBN-13: 9780253344830
ISBN-10: 0253344832
Pagini: 336
Ilustrații: 93 b&w illustrations
Dimensiuni: 185 x 241 x 26 mm
Greutate: 0.67 kg
Editura: MH – Indiana University Press

Cuprins

1 Quintessential Brahms and the Paradox of the C-minor Piano Quartet: A Representative Yet Exceptional WorkPart I2 Analytical Preliminaries: Brahms's Sonata Forms and the Idea of Dimensional Counterpoint 3 A Schoenbergian Perspective: Compositional Economy, Developing Recapitulation, and Large-Scale Form 4 Brahms and Schenker: A Mutual Response to Sonata Form 5 Brahms's Expository Strategies: Two-Part Second Groups, Three-Key Expositions, and Modal ShiftsPart II6 Towards an Expressive Interpretation: Correlations for Suicidal Despair 7 Intertextual Resonances: Tragic Expression, Dimensional Counterpoint, and the Great C-minor Tradition

Recenzii

“This book is a substantial and timely contribution to Brahms studies. Its strategy is to focus on a single critical work, the C-Minor Piano Quartet, analyzing and interpreting it in great detail, but also using it as a stepping-stone to connect it to other central Brahms works in order to reach a new understanding of the composer’s technical language and expressive intent. It is an original and worthy contribution on the music of a major composer.” —Patrick McCreless

Notă biografică

Peter H. Smith is Associate Professor of Music Theory at the University of Notre Dame.

Descriere

A groundbreaking consideration of Brahms's instrumental works