Familial Feeling: Entangled Tonalities in Early Black Atlantic Writing and the Rise of the British Novel
Autor Elahe Haschemi Yekanien Limba Engleză Hardback – 22 dec 2020
This open access book discusses British literature as part of a network of global entangled modernities and shared aesthetic concerns, departing from the retrospective model of a postcolonial “writing back” to the centre. Accordingly, the narrative strategies in the texts of early Black Atlantic authors, like Equiano, Sancho, Wedderburn, and Seacole, and British canonical novelists, such as Defoe, Sterne, Austen, and Dickens, are framed as entangled tonalities. Via their engagement with discourses on slavery, abolition, and imperialism, these texts shaped an understanding of national belonging as a form of familial feeling. This study thus complicates the “rise of the novel” framework and British middle-class identity formation from a transnational perspective combining approaches in narrative studies with postcolonial and queer theory.
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Specificații
ISBN-13: 9783030586409
ISBN-10: 3030586405
Pagini: 298
Ilustrații: XI, 298 p. 6 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.52 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
ISBN-10: 3030586405
Pagini: 298
Ilustrații: XI, 298 p. 6 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.52 kg
Ediția:1st ed. 2021
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction: Provincializing the Rise of the British Novel in the Transatlantic Public Sphere.- 2. Foundations: Defoe and Equiano.- 3. Digressions: Sancho and Sterne.- 3. Resistances: Austen and Wedderburn.- 4. Consolidations: Dickens and Seacole.- 5. Conclusion: Queering the Remembrance of Slavery Today.
Recenzii
“Familiar Feelings critically reconsiders a variety of well-trod conceptual grounds commonly found in the literary and cultural analyses of the long eighteenth century … . Yekani has produced a marvelous monograph that proves to be in equal measures insightfully, originally, indispensably, and (as befitting her object of inquiry) confoundingly entangled. … Familial Feelings …offer an exemplary illustration of the enormous complexity of such a task in the present.” (Alpen Razi, Eighteenth-Century Fiction, Vol. 35 (4), 2023)
“Haschemi Yekani’s ‘familial feeling,’ and thus exemplifies how these two monographs – indeed, all four discussed in this review – can profitably be read with and through one another. … Haschemi Yekani’s book is available online via SpringerLink as an ‘open access’ publication. … Much as one might be fond of hard-bound monographs … this mitigation of the economic and geographic barriers to Dickensian and other scholarship is clearly to be welcomed.” (Dominic Rainsford, Dickens Quarterly, Vol. 39 (3), September, 2022)
“Familial Feeling is an essential contribution to the expanding spatiotemporal and generic matrix of how we understand the history of the novel and the repercussions of said history for our memorializations of Black history, writing, and belonging in contemporary Britain.” (Felipe Espinoza Garrido, Journal for the Study of British Cultures, Vol. 29 (1), 2022)“Haschemi Yekani’s ‘familial feeling,’ and thus exemplifies how these two monographs – indeed, all four discussed in this review – can profitably be read with and through one another. … Haschemi Yekani’s book is available online via SpringerLink as an ‘open access’ publication. … Much as one might be fond of hard-bound monographs … this mitigation of the economic and geographic barriers to Dickensian and other scholarship is clearly to be welcomed.” (Dominic Rainsford, Dickens Quarterly, Vol. 39 (3), September, 2022)
Notă biografică
Elahe Haschemi Yekani is Professor of English and American Literature and Culture with a Focus on Postcolonial Studies at the Department of English and American Studies at Humboldt-Universität zu Berlin, Germany.
Textul de pe ultima copertă
'The key idea of this book is to reevaluate the rise of the British novel from Defoe to Dickens by reading it alongside early Black Atlantic writings from Equiano to Seacole. Elahe Haschemi Yekani profoundly argues that the rise of bourgeois regimes of affect – from 18th century sentimentalism all the way to the heteronormative model of the Victorian family which still haunts us today – was neither a national, nor a white project, but deeply invested and entangled in transatlantic slavery and its aftermath. Compellingly argued, and beautifully written.'
- Lars Eckstein, Professor of Anglophone Literatures and Cultures, University of Potsdam, Germany.
'Familial Feeling provides a necessary corrective to the narrowly defined canon of great British Literature. Haschemi Yekani makes us rethink the structures that gird British literary epistemologies and opens our eyes to changes long past due. Familial Feeling is not only required reading for everyone who reads in the British literary tradition, it is also a compelling, nuanced inquiry into the construction of knowledge itself.'
- Michelle M. Wright, Longstreet Professor of English, Emory University, USA
This open access book discusses British literature as part of a network of global entangled modernities and shared aesthetic concerns, departing from the retrospective model of a postcolonial “writing back” to the centre. Accordingly, the narrative strategies in the texts of early Black Atlantic authors, like Equiano, Sancho, Wedderburn, and Seacole, and British canonical novelists, such as Defoe, Sterne, Austen, and Dickens, are framed as entangled tonalities. Via their engagement with discourses on slavery, abolition, and imperialism, these texts shaped an understanding of national belonging as a form of familial feeling. This study thus complicates the “rise of the novel” framework and British middle-class identity formation from a transnational perspective combining approaches in narrative studies with postcolonial and queer theory.
- Lars Eckstein, Professor of Anglophone Literatures and Cultures, University of Potsdam, Germany.
'Familial Feeling provides a necessary corrective to the narrowly defined canon of great British Literature. Haschemi Yekani makes us rethink the structures that gird British literary epistemologies and opens our eyes to changes long past due. Familial Feeling is not only required reading for everyone who reads in the British literary tradition, it is also a compelling, nuanced inquiry into the construction of knowledge itself.'
- Michelle M. Wright, Longstreet Professor of English, Emory University, USA
This open access book discusses British literature as part of a network of global entangled modernities and shared aesthetic concerns, departing from the retrospective model of a postcolonial “writing back” to the centre. Accordingly, the narrative strategies in the texts of early Black Atlantic authors, like Equiano, Sancho, Wedderburn, and Seacole, and British canonical novelists, such as Defoe, Sterne, Austen, and Dickens, are framed as entangled tonalities. Via their engagement with discourses on slavery, abolition, and imperialism, these texts shaped an understanding of national belonging as a form of familial feeling. This study thus complicates the “rise of the novel” framework and British middle-class identity formation from a transnational perspective combining approaches in narrative studies with postcolonial and queer theory.
Caracteristici
This book develops an intriguing reassessment of the rise of the British novel framework from an entangled transnational perspective This book examines how both canonical and early Black Atlantic authors partook in shaping the tonality of British middle-class ideals of familial feeling in the shift from the eighteenth to the nineteenth century Familial Feeling brings into conversation the postcolonial study of enslavement and empire, the narratological and aesthetic analysis of the novel form and a queer interest in the politics of emotions