Fashion: A Philosophy
Autor Lars Svendsen Traducere de John Ironsen Limba Engleză Paperback – 29 oct 2006
Fashion is at once a familiar yet mysteriously elite world that we all experience, whether we’re buying a new pair of jeans, reading Vogue, or watching the latest episode of Project Runway. Lars Svendsen dives into that world in Fashion, exploring the myths, ideas, and history that make up haute couture, the must-have trends over the centuries, and the very concept of fashion itself.
Fashion opens with an exploration of all the possible meanings encompassed by the word “fashion,” as Svendsen probes its elusive place in art, politics, and history. Ultimately, however, he focuses on the most common use of the term: clothing. With his trademark dry wit, he deftly dismantles many of the axioms of the industry and its supporters. For example, he points out that some of the latest fashions shown on runways aren’t actually “fashionable” in any sense of the word, arguing that they’re more akin to modern art works, and he argues against the increasingly prevalent idea that plastic surgery and body modification are part of a new wave of consumerism. Svendsen draws upon the writings of thinkers from Adam Smith to Roland Barthes to analyze fashion as both a historical phenomenon and a philosophy of aesthetics. He also traces the connections between the concepts of fashion and modernity and ultimately considers the importance of evolving fashions to such fields as art, politics, and philosophy.
Whether critiquing a relentless media culture that promotes perfect bodies or parsing the never-ending debate over the merits of conformity versus individual style, Lars Svendsen offers an engaging and intriguing analysis of fashion and the motivations behind its constant pursuit of the new.
Fashion opens with an exploration of all the possible meanings encompassed by the word “fashion,” as Svendsen probes its elusive place in art, politics, and history. Ultimately, however, he focuses on the most common use of the term: clothing. With his trademark dry wit, he deftly dismantles many of the axioms of the industry and its supporters. For example, he points out that some of the latest fashions shown on runways aren’t actually “fashionable” in any sense of the word, arguing that they’re more akin to modern art works, and he argues against the increasingly prevalent idea that plastic surgery and body modification are part of a new wave of consumerism. Svendsen draws upon the writings of thinkers from Adam Smith to Roland Barthes to analyze fashion as both a historical phenomenon and a philosophy of aesthetics. He also traces the connections between the concepts of fashion and modernity and ultimately considers the importance of evolving fashions to such fields as art, politics, and philosophy.
Whether critiquing a relentless media culture that promotes perfect bodies or parsing the never-ending debate over the merits of conformity versus individual style, Lars Svendsen offers an engaging and intriguing analysis of fashion and the motivations behind its constant pursuit of the new.
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Specificații
ISBN-13: 9781861892911
ISBN-10: 1861892918
Pagini: 188
Dimensiuni: 121 x 197 x 18 mm
Greutate: 0.2 kg
Editura: REAKTION BOOKS
Colecția Reaktion Books
Locul publicării:United Kingdom
ISBN-10: 1861892918
Pagini: 188
Dimensiuni: 121 x 197 x 18 mm
Greutate: 0.2 kg
Editura: REAKTION BOOKS
Colecția Reaktion Books
Locul publicării:United Kingdom
Notă biografică
Lars Svendsen is associate professor in the Department of Philosophy at the University of Bergen. He is the author of numerous books, including A Philosophy of Boredom, published by Reaktion Books; The Philosophy of Evil; and Man, Morals and Genes: A Critique of Biologism.
Cuprins
Preface
1. Introduction - A Philosophy of Fashion?
2. The Principle of Fashion - The New
3. The Origins and Spread of Fashion
4. Fashion and Language
5. Fashion and the Body
6. Fashion and Art
7. Fashion and Consumption
8. Fashion as an Ideal in Life
Conclusion
References
Recenzii
“Fashion is an elegant and relatively easily read tour de force along academic and literary roads into the notion of fashion. . . . A very convincing book.”
"A reliable basic theory of its practice. Svendsen sums up and renders obsolete many previous, famous explanations. . . . I like his lack of complicity with his subject."