Flow: Interior, Landscape and Architecture in the Era of Liquid Modernity
Editat de Penny Sparke, Patricia Brown, Patricia Lara-Betancourt, Gini Lee, Mark Tayloren Limba Engleză Paperback – 11 iul 2018
Preț: 235.70 lei
Preț vechi: 265.08 lei
-11% Nou
Puncte Express: 354
Preț estimativ în valută:
45.12€ • 46.97$ • 37.15£
45.12€ • 46.97$ • 37.15£
Carte disponibilă
Livrare economică 11-25 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781472567994
ISBN-10: 1472567994
Pagini: 312
Ilustrații: 170 illus
Dimensiuni: 189 x 246 x 20 mm
Greutate: 0.93 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1472567994
Pagini: 312
Ilustrații: 170 illus
Dimensiuni: 189 x 246 x 20 mm
Greutate: 0.93 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Richly illustrated with integrated images and six picture essays
Notă biografică
Penny Sparke is Professor of Design History at Kingston University, UK, and Director of the Modern Interiors Research Centre, the world's foremost centre of research into modern interiors.Patricia Brown is an Associate Professor at the Department of Architecture and Landscape at Kingston University, UK. She was awarded the National Teaching Fellowship in 2004 and subsequently founded the Landscape Interface Studio.Patricia Lara-Betancourt is a researcher at the Modern Interiors Research Centre at Kingston University, UK. She is co-editor of Architectures of Display: Department Stores and Modern Retail (2017) and Performance, Fashion and the Modern Interior: From the Victorians to Today (2011).Gini Lee is a landscape architect and interior designer. She is the Elisabeth Murdoch Chair of Landscape Architecture at the University of Melbourne, Australia.Mark Taylor is Professor of Architecture at Swinburne University of Technology, Australia. He has previously edited Interior Design and Architecture: Critical and Primary Sources (2013).
Cuprins
Introduction: Penny Sparke Section One: Engaging Nature Introduction: Penny Sparke Chapter 1Human/Nature: Wilderness and the Landscape/Architecture Divide, Joel Sanders, Yale University and Joel Sanders Architects, USA Chapter 2Spatial Experience within the Colonial Bungalow: The Tropical Modern and Critical Vernacular House in South Asia, 1880-1980, Robin Jones, Independent Scholar, UK Chapter 3Continuities and Discontinuities: The House and Garden as Rational and Psychical Space in Vienna's Early Modernism, Diane Silverthorne, Birkbeck, University of London and Central Saint Martins, University of the Arts London, UK Chapter 4A Point of View: Christopher Hussey's Sense of the Picturesque, Pat Wheaton, Independent Scholar and Christie's Auction House, London, UK Chapter 5Inside Out: Spectacle and Transformation, Chris Hay, independent scholar, UK and Patricia Brown, Kingston University, UK Chapter 6The Allegory of the Cave: speculations between interior and landscape for the Barangaroo Headland Cultural Facility, Sing d'Arcy University of New South Wales, Australia Chapter 745 degrees, Jude Walton, Victoria University, Melbourne, Australia and Phoebe Robinson, Deakin University and Victorian College of the Arts, School of Dance, Australia Section Two: Mobility Introduction: Gini Lee Chapter 8Flow, Kerstin Thompson, Director Kerstin Thompson Architects, Melbourne, Professor in Design, Victoria University of Wellington, New Zealand and Adjunct Professor at RMIT and Monash Universities Chapter 9Light Events: Interior and Exterior Space in Michael Snow's Wavelength (1967), Eleanor Suess, Kingston University, London, UK Chapter 10The Indignant Beton, Elias Constantopoulos University of Patras, Greece Chapter 11Republican Homes:Changing Flows in Domestic Architecture in Santa Fé de Bogota, 1820-1900, Patricia Lara-Betancourt, Kingston University, London, UK Chapter 12A Place Out of the Archive: Reprise under [the Condition] of Flow, Gini Lee, The University of Melbourne, Australia and Dolly Daou, Swinburne University of Technology, Australia Chapter 13Projective Views, Eleanor Suess, Kingston University, London, UK Section Three: Continuity Introduction: Patricia Brown Chapter 14The Interiority of Landscape: Gate, Journey, Horizon, Jeff Malpas, Professor of Philosophy, University of Tasmania, and RMIT University, Australia Chapter 15Transitional Spaces in Late Nineteenth Century Domestic Architecture in Mérida, Yucatán, Gladys Arana, Universidad Autónoma de Yucatán (UADY) and Catherine R. Ettinger, Universidad Michoacana de San Nicolás de Hidalgo, México Chapter 16A Continuous Landscape? Neighbourhood Planning and the New "Local" in Post-War Bristol, Fiona E. Fisher, Kingston University and Rebecca Preston, Royal Holloway, University of London, UK Chapter 17Like Vessels: Giorgio Morandi and the Porticoes of Bologna, Vicky Falconer, University of the Arts London, UK Chapter 18Re-thinking Flow and the Relationship Between Indoors and Out: California c.1945-c. 1965, Pat Kirkham, Kingston University, London, UK Chapter 19Green Interiors: Transitional Spaces in Multilevel Building, Elisa Bernardi, Architect, Milan, Italy Chapter 20Between Concentration and Distraction, Sarah Breen Lovett, Artist and Research Fellow at The University of Sydney, Australia Section Four: Frames Introduction: Mark Taylor Chapter 21Ornamental Transparency in the Modern Kitchen, Sandy Isenstadt, University of Delaware, USA Chapter 22Tracing Events: Material Tales for Country Homes and Gardens, as found in Rural Australia, Mark Taylor, University of Newcastle, Australia and Gini Lee, The University of Melbourne, Australia Chapter 23Decorating with a View: The Nineteenth-Century Escapist Window, Anca I. Lasc, Pratt Institute, New York, USA Chapter 24Curtaining the Curtain Wall: Traversing the Boundaries of the Modern Postwar Domestic Environment, Margaret M. Petty, Queensland University of Technology, Brisbane, Australia Chapter 25Speeds, Slowness, Temporal Consistencies and Interior Making,Suzie Attiwill, RMIT University, Melbourne, Australia Chapter 26Lines to Make Space, Sarah Jamieson, Visiting Research Fellow at University of Technology Sydney, Australia and Nadia Wagner, Glasgow School of Art, Singapore and University of Sydney, Australia
Recenzii
This volume of extensive essays provides a fascinating insight into the spatial continuums between interior and landscape. I read it in a variety of spaces: airports, train-stations and at home. It offered beguiling new insights into those fluid environments.
Not to be confused with the simply amorphous or just 'going with the flow', the wide-ranging and interdisciplinary case studies and essays collected here examine how artists and designers strive to interweave interior and exterior spaces. By articulating the interstitial zone between self and world, subject and object, building and landscape, this book focuses our attention on important questions of how design can open our world to greater synthesis and less subdivision. And that - from the way we see, to how we build our cities - is more important than ever.
Rather effectively, the editors of and authors in this volume compel us to think differently about the interface between interiors, architecture and landscape. As a four-letter word, FLOW proves a powerful way to renew and redress disciplinary, conceptual and physical boundaries that have for too long limited knowledge of the material world.
Not to be confused with the simply amorphous or just 'going with the flow', the wide-ranging and interdisciplinary case studies and essays collected here examine how artists and designers strive to interweave interior and exterior spaces. By articulating the interstitial zone between self and world, subject and object, building and landscape, this book focuses our attention on important questions of how design can open our world to greater synthesis and less subdivision. And that - from the way we see, to how we build our cities - is more important than ever.
Rather effectively, the editors of and authors in this volume compel us to think differently about the interface between interiors, architecture and landscape. As a four-letter word, FLOW proves a powerful way to renew and redress disciplinary, conceptual and physical boundaries that have for too long limited knowledge of the material world.