Francis Bacon: Paris, Monaco and the Cote d'Azur
Editat de Martin Harrisonen Limba Engleză Hardback – 14 mai 2017
The relationship began in Paris in 1927, where a teenaged Bacon saw an exhibition dedicated to Picasso—and saw his future vocation. Soon after World War II, Bacon moved to Monaco, where he lived until 1950, and began to paint the “popes” series, which would transform his art, and make his reputation. On visits to Paris, meanwhile, he made friends with such prominent figures as Alberto Giacometti and Michael Leiris; the city would go on to be the setting for the exhibition that marked his arrival as a master, a retrospective at the Grand Palais in 1971. And after 1975, Bacon kept a studio in the Marais district of Paris.
This richly illustrated bilingual volume draws links from all these periods to Bacon’s art, showing how the experiences and milieu of Paris and Monaco made its presence felt in his work and helping establish him as not simply a British painter, but part of a larger European artistic and cultural world.
Preț: 213.00 lei
Preț vechi: 317.29 lei
-33% Nou
40.78€ • 42.45$ • 33.57£
Carte indisponibilă temporar
Specificații
ISBN-10: 095687388X
Pagini: 240
Ilustrații: 30 color plates, 70 halftones
Dimensiuni: 216 x 273 x 30 mm
Greutate: 1.45 kg
Editura: Unicorn Publishing Group
Colecția Heni Publishing
Locul publicării:London, United Kingdom
Notă biografică
Cuprins
Foreword
Majid Boustany
Bacon à Monaco et en France
Bacon in Monaco and France
Martin Harrison
Une mine précieuse: Francis Bacon et la France
A Private Treasury: Francis Bacon and France
Sarah Whitfield
La France et l’œuvre de Bacon
French Connections
Martin Harrison
Francis Bacon et le jeu: le pari intérieur
Francis Bacon and Gambling: the inside bet
Dr Rebecca Daniels
Un coup soudain
A sudden blow
Amanda J. Harrison
Francis Bacon et la France des années 1940
Francis Bacon and Forties France
Dr Carol Jacobi
Bacon, Leiris: l’impossibilité de la presence
Bacon Leiris: The Impossibility of Presence
Catherine Howe
Gilles Deleuze et l’image philosophique de Francis Bacon
Gilles Deleuze’s Philosophical Image of Francis Bacon
Dr Darren Ambrose
Francis Bacon et la poésie française: vers une généalogie de l’image comme processus
Francis Bacon and French poetry: towards a genealogy of image as a process
James Wishart
Francis Bacon intime
France Bacon: an intimate view
Notes Endotes
Liste des œuvres exposées
Exhibited Artworks
Remerciements
Acknowledgements
Descriere
Francis Bacon: Shadows continues in the revelatory mode established by Inside Francis Bacon. It comprises six essays on diverse topics, interpretative as well as factual, which cumulatively present an abundance of fresh ideas and information about Bacon. The fundamental aim of the series--to rethink Bacon's art from new perspectives--is impressively fulfilled by the eminent authors.
Martin Harrison opens the book with some hitherto unseen Bacon-related photographs and includes a tribute to the great Bacon scholar, David Boxer (1946-2017). Christopher Bucklow turns his attention to the contrast between Bacon's art and the art of our own times, setting Bacon in the context of Romantic Modernism's confidence in the unconscious as a source. Amanda Harrison's essay explores imagery in Bacon's paintings that relates to esoteric, mythological, and alchemical themes, while Stefan Haus draws on the ideas of philosophers from Plato to Hegel to consider the impact of Bacon's art. Hugh Davies's unexpurgated 1973 Bacon Diaries are published here in their entirety for the first time, revealing a more complete view of Bacon as both man and artist. Sophie Pretorius examines Tate's Barry Joule Archive, a collection of working materials and drawings attributed to Bacon.
Finally, Martin Harrison explores Francis Bacon's Lost Paintings--works Bacon dubbed "failures" but which were photographed before he destroyed them; they are published here for the very first time.