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French Orientalism: Culture, Politics, and the Imagined Other de Desmond Hosford

French Orientalism: Culture, Politics, and the Imagined Other

Editat de Desmond Hosford, Chong J. Wojtkowski
en Limba Engleză Hardback – 31 aug 2010
Offers fresh theoretical, literary, historical, philosophical, and cultural perspectives that provide the opportunity to deploy, question, subvert, and resituate canonic Orientalist theories, revealing the evolution and relevance of French Orientalism as a notion with global stakes and material consequences.
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Specificații

ISBN-13: 9781443823180
ISBN-10: 144382318X
Pagini: 275
Dimensiuni: 147 x 208 x 25 mm
Greutate: 0.5 kg
Ediția:New.
Editura: Cambridge Scholars Publishing

Notă biografică

Desmond Hosford is a Ph.D. candidate in French at The Graduate Center of The City University of New York, where he also earned his Ph.D. in musicology. He is the director of the Foundation for French and Francophone Musical Culture of the Barry S. Brook Center for Music Research and Documentation at the Graduate Center of The City University of New York, an editor at the Repertoire International de Litterature Musicale, and an adjunct lecturer in French at Hunter College. Desmond specializes in seventeenth- and eighteenth-century tragedy, tragedie en musique, the Bourbon court of France, early modern gender and sexuality, and animal philosophy. He is co-editor of Fortune and Fatality: Performing the Tragic in Early Modern France (Cambridge Scholars Press, 2008), and his other publications include "Uneasy Anthropocentrism: Cartesianism and the Ethics of Species Differentiation in Seventeenth-Century France" (2010), "Anthropomorphic Terror: The Bete-Machine, the Ballet de Cour, and the Tragedie en Musique" (2009), "Reigning Women, Crushed Women: Duty, Glory, and Suicide in the Tragedies of Philippe Quinault" (2006), "The Queen's Hair: Marie-Antoinette, Politics, and DNA" (2004), and the articles "Marie-Antoinette," "Opera," and "Queering Royalty" in The Gale Encyclopedia of Sex and Gender (2007). Desmond is the harpsichordist and director of the period instruments ensemble, La Musique de la Reine. Chong J. Wojtkowski is a doctoral candidate in French at the Graduate Center of The City University of New York where she specializes in contemporary French cinema, music, and urban culture. She is completing her dissertation, "Made in Marseille: Global Youth and Cosmopolitan Identities." Her publications include articles on the representation of delinquency in Fais-moi des vacances (2002), the construction of identity in Marseille hip hop, and the articulation of Italian-ness in French rap music from Marseille. She held a Graduate Teaching Fellowship at Hunter College, where she is an adjunct lecturer in French. Chong is the advisory board member for French popular music at the Foundation for French and Francophone Studies of the Barry S. Brooke Center for Music Research and Documentation at the Graduate Center of The City University of New York.