From Q to "Secret" Mark: A Composition History of the Earliest Narrative Theology
Autor Hugh M. Humphreyen Limba Engleză Hardback – 31 mai 2006
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Specificații
ISBN-13: 9780567025029
ISBN-10: 0567025020
Pagini: 176
Dimensiuni: 155 x 229 x 18 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția T&T Clark
Locul publicării:New York, United States
ISBN-10: 0567025020
Pagini: 176
Dimensiuni: 155 x 229 x 18 mm
Greutate: 0.42 kg
Editura: Bloomsbury Publishing
Colecția T&T Clark
Locul publicării:New York, United States
Caracteristici
Challenges the traditional view that Mark was simply an editor of drawing on difference sources to put his gospel together.
Cuprins
Introduction
ChapterOne: Revisiting the Fathers
I. The Witness of the Early Church Fathers
A. Papias
B. Clement of Alexandria
C. Recap of Papias and Clement
D. Conflicting Testimony?
1. Anti-Marcionite Prologue
2. Irenaeus
E. The Eyptian Connection
1. Eusebius
2. Jerome
3. Clement of Alexandria and the "SecretGospel"
4. The Venetian Tradition
II. The (Patristic) History of the Composition of Mark
ChapterTwo: A Narrative Version of "Q"
I. Introduction
A. The Textual Parallels between Mark and Q
B. The Narrative Parallels between Mark and Q
C. A Distinctive Narrative Feature of Mark'sVersion of Q:
Jesus is the "Holy Son of God"
D. The Distinctive Vocabulary of QN
E. Summary of the Characteristic Features of QNin Mark
F. Preliminary Suggestions About the Provenanceof QN
II. Mark's Narrative Version of Q
III. The Community Reflected by Mark's Narrative Version of Q
ChapterThree: The Passion Narrative inMark
I. Introduction
A. A Second Christology Reflected in Mark
B. The Characteristic Features of Mark 14:1 -16:8
C. Secondary Materials in Mark 14:1 - 16:8
II. The Earlier Text of Mark 14:1 - 16:8
III. The Community Reflected by Mark'sEarlier Passion Narrative
ChapterFour: Assimilation and a Focus on Discipleship
I. Putting Mark's Gospel Together
II. The Community Reflected by These Additions to the Text of Mark
ChapterFive: The Composition History of the Gospel of Mark 176
I. Introduction. The Gathering ofthe Pieces
II. The Explanatory Glosses. Creating our Present Text of the Gospel
III. A Reflection of "Mark, the Evangelist"
Table:Summarizing the Composition History of the Gospel of Mark ---
Appendix1: The Mark without Q Hypothesis 188
Appendix2: Assessing the Quest for a Proto-Mark 196
WorksCited 205
Appendix 3: The Stages of theComposition of Mark illustrated
ChapterOne: Revisiting the Fathers
I. The Witness of the Early Church Fathers
A. Papias
B. Clement of Alexandria
C. Recap of Papias and Clement
D. Conflicting Testimony?
1. Anti-Marcionite Prologue
2. Irenaeus
E. The Eyptian Connection
1. Eusebius
2. Jerome
3. Clement of Alexandria and the "SecretGospel"
4. The Venetian Tradition
II. The (Patristic) History of the Composition of Mark
ChapterTwo: A Narrative Version of "Q"
I. Introduction
A. The Textual Parallels between Mark and Q
B. The Narrative Parallels between Mark and Q
C. A Distinctive Narrative Feature of Mark'sVersion of Q:
Jesus is the "Holy Son of God"
D. The Distinctive Vocabulary of QN
E. Summary of the Characteristic Features of QNin Mark
F. Preliminary Suggestions About the Provenanceof QN
II. Mark's Narrative Version of Q
III. The Community Reflected by Mark's Narrative Version of Q
ChapterThree: The Passion Narrative inMark
I. Introduction
A. A Second Christology Reflected in Mark
B. The Characteristic Features of Mark 14:1 -16:8
C. Secondary Materials in Mark 14:1 - 16:8
II. The Earlier Text of Mark 14:1 - 16:8
III. The Community Reflected by Mark'sEarlier Passion Narrative
ChapterFour: Assimilation and a Focus on Discipleship
I. Putting Mark's Gospel Together
II. The Community Reflected by These Additions to the Text of Mark
ChapterFive: The Composition History of the Gospel of Mark 176
I. Introduction. The Gathering ofthe Pieces
II. The Explanatory Glosses. Creating our Present Text of the Gospel
III. A Reflection of "Mark, the Evangelist"
Table:Summarizing the Composition History of the Gospel of Mark ---
Appendix1: The Mark without Q Hypothesis 188
Appendix2: Assessing the Quest for a Proto-Mark 196
WorksCited 205
Appendix 3: The Stages of theComposition of Mark illustrated
Recenzii
Reviewed in International Review of Biblical Studies, 2007.
"Humphrey has minutely examined the text of Mark's Gospel and is familiar with the early Church Fathers' comments about Mark in a way most NT scholars are not. His novel thesis that Mark composed his Gospel in stages is one that every commentator on Mark in the future will have to take into account...Humphrey has provided a fascinating study of the origins of Mark's Gospel." - Leslie Robert Keylock, Journal of the Evangelical Theological Society, September 2008
"Insightful studies of Mark in recent years have revealed the gospel author's storytelling prowess, leading some scholars to abandon the older search for gospel's sources and editing changes. But Humphrey dares to propose one author who wrote two separate stories of Jesus, then acted finally as his own editor to produce a coherent whole. No less daring is Humphrey's commendable willingness to take seriously the controversial account of a 'Secret Mark' known to Clement of Alexandria."--John Dart, news editor of the Christian Century, is author of Decoding Mark
Mentioned.
"Humphrey says Mark first compiled Peter's preaching of the Q material, expanding it into a narrative (chapters one to thirteen) portraying Jesus as the Son of God inspired by Wisdom, the eschatological Teacher. This he did while Peter was preaching in Rome. Later he narrated Peter's preaching of the cross, creating the Passion Narrative. It was "Pauline" in its Christology of a self-emptying Son of Man/Adam. This was on the eve of Claudius's expulsion of Jews from Rome. Taking both texts to Alexandria, Mark decided to unite the two texts, seeding each half with new materials recalling or foreshadowing the other, adding the theme of discipleship in a world not likely to end as soon as he had first expected... Markan specialists should be sure to read it." -Robert M. Price, Johnnie Colemon Theological Seminary
mentioned.
"Humphrey has minutely examined the text of Mark's Gospel and is familiar with the early Church Fathers' comments about Mark in a way most NT scholars are not. His novel thesis that Mark composed his Gospel in stages is one that every commentator on Mark in the future will have to take into account...Humphrey has provided a fascinating study of the origins of Mark's Gospel." - Leslie Robert Keylock, Journal of the Evangelical Theological Society, September 2008
"Insightful studies of Mark in recent years have revealed the gospel author's storytelling prowess, leading some scholars to abandon the older search for gospel's sources and editing changes. But Humphrey dares to propose one author who wrote two separate stories of Jesus, then acted finally as his own editor to produce a coherent whole. No less daring is Humphrey's commendable willingness to take seriously the controversial account of a 'Secret Mark' known to Clement of Alexandria."--John Dart, news editor of the Christian Century, is author of Decoding Mark
Mentioned.
"Humphrey says Mark first compiled Peter's preaching of the Q material, expanding it into a narrative (chapters one to thirteen) portraying Jesus as the Son of God inspired by Wisdom, the eschatological Teacher. This he did while Peter was preaching in Rome. Later he narrated Peter's preaching of the cross, creating the Passion Narrative. It was "Pauline" in its Christology of a self-emptying Son of Man/Adam. This was on the eve of Claudius's expulsion of Jews from Rome. Taking both texts to Alexandria, Mark decided to unite the two texts, seeding each half with new materials recalling or foreshadowing the other, adding the theme of discipleship in a world not likely to end as soon as he had first expected... Markan specialists should be sure to read it." -Robert M. Price, Johnnie Colemon Theological Seminary
mentioned.
Descriere
Humphrey challenges traditional readings of Mark and Q by arguing that Q had a narrative layer that Mark incorporated in his gospel.