Gay TV and Straight America
Autor Ron Beckeren Limba Engleză Paperback – feb 2006
After decades of silence on the subject of homosexuality, television in the 1990s saw a striking increase in programming that incorporated and, in many cases, centered on gay material. In shows including Friends, Seinfeld, Party of Five, Homicide, Suddenly Susan, The Commish, Ellen, Will & Grace, and others, gay characters were introduced, references to homosexuality became commonplace, and issues of gay and lesbian relationships were explored, often in explicit detail.
In Gay TV and Straight America, Ron Becker draws on a wide range of political and cultural indicators to explain this sudden upsurge of gay material on prime-time network television. Bringing together analysis of relevant Supreme Court rulings, media coverage of gay rights battles, debates about multiculturalism, concerns over political correctness, and much more, Becker's assessment helps us understand how and why televised gayness was constructed by a specific culture of tastemakers during the decade.
On one hand the evidence points to network business strategies that embraced gay material as a valuable tool for targeting a quality audience of well-educated, upscale adults looking for something "edgy" to watch. But, Becker also argues that the increase of gay material in the public eye creates growing mainstream anxiety in reaction to the seemingly civil public conversation about equal rights.
In today's cultural climate where controversies rage over issues of gay marriage yet millions of viewers tune in weekly to programs like Queer Eye for the Straight Guy, this book offers valuable insight to the complex condition of America's sexual politics.
In Gay TV and Straight America, Ron Becker draws on a wide range of political and cultural indicators to explain this sudden upsurge of gay material on prime-time network television. Bringing together analysis of relevant Supreme Court rulings, media coverage of gay rights battles, debates about multiculturalism, concerns over political correctness, and much more, Becker's assessment helps us understand how and why televised gayness was constructed by a specific culture of tastemakers during the decade.
On one hand the evidence points to network business strategies that embraced gay material as a valuable tool for targeting a quality audience of well-educated, upscale adults looking for something "edgy" to watch. But, Becker also argues that the increase of gay material in the public eye creates growing mainstream anxiety in reaction to the seemingly civil public conversation about equal rights.
In today's cultural climate where controversies rage over issues of gay marriage yet millions of viewers tune in weekly to programs like Queer Eye for the Straight Guy, this book offers valuable insight to the complex condition of America's sexual politics.
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Specificații
ISBN-13: 9780813536897
ISBN-10: 0813536898
Pagini: 296
Ilustrații: 1
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.46 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
ISBN-10: 0813536898
Pagini: 296
Ilustrații: 1
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.46 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Notă biografică
Ron Becker is an assistant professor of communications at Miami University in Ohio.
Cuprins
Introduction : the importance of gay-themed TV
Straight panic and American culture in the 1990s
Thinking about gay people : civil rights and the confusion over sexual identity
Network narrowcasting and the slumpy demographic
The affordable, multicultural politics of gay chic
Gay material and prime-time network television in the 1990s
"We're not gay!" : heterosexuality and gay-themed programming
Straight panic in the 2000s
Straight panic and American culture in the 1990s
Thinking about gay people : civil rights and the confusion over sexual identity
Network narrowcasting and the slumpy demographic
The affordable, multicultural politics of gay chic
Gay material and prime-time network television in the 1990s
"We're not gay!" : heterosexuality and gay-themed programming
Straight panic in the 2000s
Recenzii
"From beginning to end, this book is a highly engaging and impeccably researched study of the cultural anxieties produced in the destabilization of straight and gay identity."
"An insightful, well-written, and well-argued book."
"Becker's analysis of the connections between sexual representation and industrial strategy is original and compelling. An example of the best kind of television scholarship, Gay TV and Straight America is a rare find."
Descriere
After decades of silence on the subject of homosexuality, television in the 1990s saw a striking increase in programming that incorporated and, in many cases, centered on gay material. In shows including Friends, Seinfeld, Party of Five, Homicide, Suddenly Susan, The Commish, Ellen, Will & Grace, and others, gay characters were introduced, references to homosexuality became commonplace, and issues of gay and lesbian relationships were explored, often in explicit detail.
In Gay TV and Straight America, Ron Becker draws on a wide range of political and cultural indicators to explain this sudden upsurge of gay material on prime-time network television. Bringing together analysis of relevant Supreme Court rulings, media coverage of gay rights battles, debates about multiculturalism, concerns over political correctness, and much more, Becker's assessment helps us understand how and why televised gayness was constructed by a specific culture of tastemakers during the decade.
In Gay TV and Straight America, Ron Becker draws on a wide range of political and cultural indicators to explain this sudden upsurge of gay material on prime-time network television. Bringing together analysis of relevant Supreme Court rulings, media coverage of gay rights battles, debates about multiculturalism, concerns over political correctness, and much more, Becker's assessment helps us understand how and why televised gayness was constructed by a specific culture of tastemakers during the decade.