Written in a radical avant-gardist style, comparable to Brecht's theatre, Lasker-Schüler's plays (Die Wupper, 1909; Arthur Aronymus und seine Väter, 1932; IchundIch, 1937-1941) are critical performances of gender conflicts, militarism, and anti-Semitism. The present study is the first to analyze her dramatic OEuvre in it's entirety.Inca M. Rumold is Associate Professor of German, Spanish, and Comparative Literture. She edited and introduced the first translation of Lasker-Schüers Plays into English (2005).ContentsIntroduction: The Outsider as Insider. The Expressionist Playwright Else Lasker-Schüer Revisited (pdf-Datei, ca. 740 KB)1. Lasker-Schüler in the context of European Women Playwrights 1900-19302. Dark River (1909): Deconstructing Class, Gender, and Sexuality in Imperial Germany3. Arthur Aronymus and his Ancestors (1932) Performance, Defamiliarization, Reconciliation in Difference4. I and I (1937-1941): Satire and Black Humor: The Exiled Poet in I and I Staging the Self5. The Malik (1913/1917): Excursion: Anti-War Narrative as Performance of the SelfEpiloguePerformances of Else Lasker-Schüler's plays after 1945Works cited