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Gendering Fascism: Individual Actors, Concepts, and Transnational Connections: Brill's Specials in Modern History, cartea 9

Andrea Germer, Jasmin Rückert
en Limba Engleză Hardback – 19 dec 2024
What role did gender play in fascist visions and politics? The contributions in this volume map the category of gender in modern forms of political organisation and mobilisation of women and men; in propaganda and in the disciplining of bodies. In this theoretical framework, gender and fascism are seen as deeply intertwined. ‘Gendering fascism’ denotes a paradigmatic lens through which to explore the configurations, strategies, and technologies of fascist imaginaries and politics. Presenting empirical case studies of Europe, Asia and America as gendered sites of historical and transnational fascist engagement, the volume challenges lingering Eurocentric perspectives in fascism studies.

Contributors are: Ryan Anningson, Anca Axinia, Andrea Germer, Brian J Griffith, Vera Marstaller, Meguro Akane, Toni Morant, Inbal Ofer, Hanna-Leena Paloposki, Andrea Pető, Jasmin Rückert, George Souvlis, Rosa Vasilaki, Caroline Waldron, and Dagmar Wernitznig.
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Specificații

ISBN-13: 9789004691506
ISBN-10: 9004691502
Pagini: 392
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill's Specials in Modern History


Notă biografică

Andrea Germer, Ph.D. (2001), Bochum University, is Professor of Japanese Studies at Heinrich Heine University Düsseldorf. She has published on propaganda, feminism, gender and nation in Japan, including her recent coedited volume The Handbook of Feminisms in Japan (AUP, 2024).

Jasmin Rückert is a Ph.D. student at the Institute for Modern Japanese Studies at Heinrich Heine University Düsseldorf. She completed two master’s degrees in Gender Studies and Japanese Studies at the University of Vienna in 2017 and 2018. Her Ph.D. project investigates propagandistic and vernacular uses of Japanese photography in Manchuria between 1931 and 1945.

Cuprins

Acknowledgements
List of Figures and Table

Introduction: Technologies of Gender in the Workings of Fascisms
Andrea GERMER

PART 1. ORGANISATIONS AND INDIVIDUAL ACTORS

1. Contradictory or Organic Aspects of Fascism? The Role of Women in the Propaganda of the Metaxas Regime (1936–1941)
Rosa VASILAKI and George SOUVLIS

2. Rethinking the Relationship between Women, Gender, and Spanish Fascism: ‘Verticality’ as a Mediating Concept
Inbal OFER

3. Of Swastika Sisters and Chocolate Girls: Gender and Fascism in Southern Austria during the Short 20th Century
Dagmar WERNITZIG

4. Mediated Männerbund: A Story of Collaboration and Compliance in Hungary during World War II
Andrea PETŐ

PART 2. IMAGINARIES, REPRESENTATIONS, AND THE PRESS

5. Family Concepts: Gender, Politics, and Personal Relationships in the Romanian Legionary Movement
Anca Diana AXINIA

6. Gender, Violence, and Nazi Ideology in German War Photography (1939–1945)
Vera MARSTALLER

7. A Visual Grammar of Fascism: Gender, Race, and Biopower in Japanese Overseas Propaganda
Andrea GERMER

PART 3. BODIES AND BIOPOLITICS

8. ‘The Mother of Criminals’: Gender, Fascism, and Sterilisation in the United States, 1877–1945
Ryan ANNINGSON

9. ‘Women’s Eugenics’ and Takeuchi Shigeyo: Disease Prevention Strategies in 1930s Japan
MEGURO Akane

10. Hormones, Gender, and Fascism: Development and Marketing of Hormone Products in Wartime Japan
Jasmin RÜCKERT

PART 4. TRANSNATIONAL CONNECTIONS AND CONVERSIONS

11. ‘Comrades beyond Borders’: The Women of the Spanish Falange, Fascist Italy, and Nazi Germany
Toni MORANT

12. Fascism, Gender, and Displays of Art: Exhibition of Italian Women Artists in Finland and Estonia in 1937
Hanna-Leena PALOPOSKI

13. ‘Propaganda for Our Italy’: Ruth Williams Ricci, Gendered Mobility, and Fascist Italy’s African Empire, 1935–1941
Brian J GRIFFITH

14. No Labels: How Lisa Sergio Translated Fascism, Feminism, and Herself on Radio
Caroline WALDRON

Index