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George Balanchine: The Ballet Maker: Eminent Lives

Autor Robert Gottlieb
en Limba Engleză Paperback – 8 feb 2010
Written by the gifted author, editor, and dance critic Robert Gottlieb, George Balanchine describes the life and art of the celebrated, revolutionary ballet choreographer. Here is a necessary and singular look at the life of one of the great figures of the 20th Century: the dynamic Balanchine, founder of The New York City Ballet, collaborator of Stravinsky, and inspiration to countless fans over the course of his long and storied career. George Balanchine is another engaging entry in the HarperCollins’ “Eminent Lives” series of biographies by distinguished authors on canonical figures.
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Specificații

ISBN-13: 9780060750718
ISBN-10: 0060750715
Pagini: 224
Dimensiuni: 135 x 203 x 13 mm
Greutate: 0.16 kg
Editura: HarperCollins Publishers
Colecția HarperPerennial
Seria Eminent Lives

Locul publicării:United States

Textul de pe ultima copertă

The foremost contemporary choreographer in the history of ballet, George Balanchine extended the art form into radical new paths that came to seem inevitable under his direction. He transformed movement and dance in classical and modern ballet, on the Broadway stage, and in the cinema.
George Balanchine chronicles the life and achievements of this visionary artist from his early, almost accidental career in Russia, where his lifelong collaboration with Igor Stravinsky was forged, to his extraordinary accomplishments in America. The editor and writer Robert Gottlieb, one of the most knowledgeable dance critics in America, offers a superb and loving portrait of a genius who, though married many times to many ballerinas, remained truest to his greatest love, Terpischore, the Greek Muse of dance.

Notă biografică

The former editor in chief of Simon & Schuster, Alfred A. Knopf, and The New Yorker, Robert Gottlieb was on the board of directors of the New York City Ballet for many years. He writes literary criticism for the New York Review of Books, the New York Times Book Review, and The New Yorker, and is the dance critic for the New York Observer.