Georges Rouault and Material Imagining: Material Culture of Art and Design
Autor Dr. Jennifer Johnsonen Limba Engleză Paperback – 22 mar 2023
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Specificații
ISBN-13: 9781350213814
ISBN-10: 1350213810
Pagini: 216
Ilustrații: 14 colour and 49 bw illus
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Material Culture of Art and Design
Locul publicării:London, United Kingdom
ISBN-10: 1350213810
Pagini: 216
Ilustrații: 14 colour and 49 bw illus
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.5 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Material Culture of Art and Design
Locul publicării:London, United Kingdom
Caracteristici
An historical and philosophical account of materiality in the early twentieth century
Notă biografică
Jennifer Johnson is a Research Fellow and Departmental Lecturer in History of Art at the University of Oxford, UK.
Cuprins
List of IllustrationsIntroduction: Georges Rouault's ModernismChapter 1: 1903-1907: Mutilation, Revivification and Imaginative Play on the SurfaceChapter 2: The Interwar Years: Materiality, Theatricality, and Social CritiqueChapter 3: 'Le métier de peindre' or Making as Thought: Bergson, Maritain, and Rouault's landscapesChapter 4: Light Thickens: Theology, Phenomenology and the Veronica Chapter 5: Material Imaginings: Matter, Materiality, and Modes of BeingIndex
Recenzii
Jennifer Johnson's ground-breaking study offers a new, comprehensive account of the world and work of Georges Rouault. Elegant prose, rich formal description, and bold theoretical insights reveal the crucial role of materiality as a form of thought in modern art.
In a narrative full to bursting with luminous visual analyses and exciting passages of contextualisation, Jennifer Johnson presents us with a new vision and understanding of Georges Rouault, an artist who has languished for too long on the outskirts of Modernism. A truly captivating book.
Jennifer Johnson's book is a timely and important exploration of Rouault's probing relationship with questions of materiality and meaning. It is a serious and powerful contribution to a central art-historical issue, the material character of making as a form of understanding.
In Jennifer Johnson's reading of Rouault's surfaces, meaning accrues in a richly layered manner. Drawing upon theorists and philosophies-both contemporaneous and more recent-Johnson returns the reader to Rouault's thick, reworked, slabs of paint with new understandings of how the artist grappled with questions at the heart of modernism through his subjects, materials, and making.
In a narrative full to bursting with luminous visual analyses and exciting passages of contextualisation, Jennifer Johnson presents us with a new vision and understanding of Georges Rouault, an artist who has languished for too long on the outskirts of Modernism. A truly captivating book.
Jennifer Johnson's book is a timely and important exploration of Rouault's probing relationship with questions of materiality and meaning. It is a serious and powerful contribution to a central art-historical issue, the material character of making as a form of understanding.
In Jennifer Johnson's reading of Rouault's surfaces, meaning accrues in a richly layered manner. Drawing upon theorists and philosophies-both contemporaneous and more recent-Johnson returns the reader to Rouault's thick, reworked, slabs of paint with new understandings of how the artist grappled with questions at the heart of modernism through his subjects, materials, and making.