Ghosts and the Overplus: Reading Poetry in the Twenty-First Century: Poets On Poetry
Autor Christina Pughen Limba Engleză Paperback – 19 mar 2024
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Specificații
ISBN-13: 9780472039609
ISBN-10: 0472039601
Pagini: 202
Dimensiuni: 137 x 203 x 15 mm
Greutate: 0.22 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
Seria Poets On Poetry
ISBN-10: 0472039601
Pagini: 202
Dimensiuni: 137 x 203 x 15 mm
Greutate: 0.22 kg
Editura: UNIVERSITY OF MICHIGAN PRESS
Colecția University of Michigan Press
Seria Poets On Poetry
Notă biografică
Christina Pugh has published five books of poems including Stardust Media (2020), winner of the Juniper Prize for Poetry from the University of Massachusetts Press. She has received fellowships and awards from the Guggenheim Foundation, the Poetry Society of America, the Bogliasco Foundation, and the Illinois Arts Council. A recent Visiting Artist at the American Academy in Rome, she is a professor in the Program for Writers at the University of Illinois at Chicago.
Cuprins
Introduction
Instinctual Ballast: Imitation and Creative Writing
On Sonnet Thought
Humor Anxiety
Allusion and Context in Contemporary American Poetry
Ed Roberson’s Inward Lyricism
Light in Nagasaki: Catherine McCarthy’s “We Walk On Jewels”
“Some Chant I’m Working At”
An Elegy for Dancing
The Emily Dickinsons
“A Lovely Finish I Have Seen”: Voice and Variorum in Edgar Allan Poe & the Juke-Box
“Arranging, Deepening, Enchanting” : Catherine McCarthy’s
Flower Arranging
A Farm, Two Spiders, and A Book of Luminous Things:
Czeslaw Milosz’s Affinity for the Image
Turning, Troping, Wresting: Michael Ryan’s “My Dream by
Henry James”
“Found Breath”: The Contemporary “Mainstream” Lyric
“Velvety Velour” and Other Sonnet Textures in Gwendolyn Brooks’s “the children of the poor”
“Cinnamon. Eyeshadow. Dove”: Considering Jean Valentine (1934-2020)
On Ghosts and the Overplus
- 2005-2010: This Work Which is Not One
Instinctual Ballast: Imitation and Creative Writing
On Sonnet Thought
Humor Anxiety
Allusion and Context in Contemporary American Poetry
Ed Roberson’s Inward Lyricism
Light in Nagasaki: Catherine McCarthy’s “We Walk On Jewels”
“Some Chant I’m Working At”
An Elegy for Dancing
- 2011-2015: Gravity, Images, and the Hand
The Emily Dickinsons
“A Lovely Finish I Have Seen”: Voice and Variorum in Edgar Allan Poe & the Juke-Box
“Arranging, Deepening, Enchanting” : Catherine McCarthy’s
Flower Arranging
A Farm, Two Spiders, and A Book of Luminous Things:
Czeslaw Milosz’s Affinity for the Image
Turning, Troping, Wresting: Michael Ryan’s “My Dream by
Henry James”
“Found Breath”: The Contemporary “Mainstream” Lyric
- 2015-2021: Voicing the Overplus
“Velvety Velour” and Other Sonnet Textures in Gwendolyn Brooks’s “the children of the poor”
“Cinnamon. Eyeshadow. Dove”: Considering Jean Valentine (1934-2020)
On Ghosts and the Overplus
Recenzii
“Elegance, restraint, conviction, and a quiet authority have always been the hallmarks of Christina Pugh’s remarkable prose; she brings a delicate intellectual acuity to her essays which is made capacious by her compassionate wisdom. Reading Christina Pugh’s essays I’m always astonished by the subtle yet deeply profound intimacy in her writing. With this collection, Christina Pugh has joined poets David Baker, Robert Hass, and Rosanna Warren as one of the most compelling essayists we have in American poetry. I treasure this book.”
“A spirited, nonconformist book. Christina Pugh has been covering the waterfront of poetry in English for years as poet, critic, teacher, and editor, and her essays rise from those rambles. She reads Dickinson and Bishop against the fashionable grain, plucks at the notion of ‘mainstream poetry,’ and brings us up close to Jonson, Milton, Stevens, Milosz, Gwendolyn Brooks, Ed Roberson, and others in prose both sensuous and precise. A rich adventure of poetic discovery.”
"Today's poetry is infused with a lyric gesture toward storytelling and showing cultural revolutions. As Pugh shows, American lyrics poets offer dense, elegant, and fierce language to lean into . . . Recommended."
“A spirited, nonconformist book. Christina Pugh has been covering the waterfront of poetry in English for years as poet, critic, teacher, and editor, and her essays rise from those rambles. She reads Dickinson and Bishop against the fashionable grain, plucks at the notion of ‘mainstream poetry,’ and brings us up close to Jonson, Milton, Stevens, Milosz, Gwendolyn Brooks, Ed Roberson, and others in prose both sensuous and precise. A rich adventure of poetic discovery.”
"Today's poetry is infused with a lyric gesture toward storytelling and showing cultural revolutions. As Pugh shows, American lyrics poets offer dense, elegant, and fierce language to lean into . . . Recommended."
Descriere
Celebrating the voices, current and past, that surface in lyric poetry