Gigging, Busking and Bending the Dots
Autor John Berryen Limba Engleză Paperback – 22 mai 2013
Drawing on first-person accounts, the study traces the historical development of jazz music and musicians in Bristol. In the post-war years, players began to develop significant stylistic aspects in the jazz lexicon. Drawing on media sources and interaction in performance, players garnered a host of performing skills whilst suffering dwindling audiences and declining venues. Reforms in English music education in the 1980s offered formal opportunities to study jazz in the city's schools, drawing minimal attention from institutions. Practical learning and playing opportunities offered by the Local Authority music service sustained a modest membership over the years. Post millennium, local schools, with one or two exceptions, showed little interest in jazz education. Nevertheless, maintaining its traditional stance, Bristol's jazz community continues to exhort top quality jazz performances including compositions that match national and international standards.
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Specificații
ISBN-13: 9783034309622
ISBN-10: 3034309627
Pagini: 250
Ilustrații: 1
Dimensiuni: 149 x 223 x 20 mm
Greutate: 0.35 kg
Editura: Peter Lang Gmbh, Internationaler Verlag Der W
ISBN-10: 3034309627
Pagini: 250
Ilustrații: 1
Dimensiuni: 149 x 223 x 20 mm
Greutate: 0.35 kg
Editura: Peter Lang Gmbh, Internationaler Verlag Der W
Cuprins
Contents: Jazz in Bristol 1945-2000 - The Jazz Life in Bristol at the Millennium - Bristol's Jazz Musicians, the ABRSM and a Portfolio of Skills - Jazz in Bristol's Schools at the Millennium - Jazz Learning in Bristol within the context of the English National Curriculum - Bristol Revisited 2011-2012.
Notă biografică
John Berry is an instrumental teacher for a Local Authority music service. He holds a PhD in Education from the University of Roehampton. Trained as a musician in army bands, he worked as a freelance trombone player in a variety of big bands, groups and ensembles in many venues throughout the UK. His work as a teacher includes teaching in independent and state schools and establishing a private practice, together with twenty years as Head of Music in a comprehensive school. He continues to perform in local bands whenever possible.