In this book I will provide details about Bottesini and his style so as to place him historically. I will examine his original B minor Concerto scores and compare subsequent editorial differences. My focus will be to explore some new interpretations that revitalise affectation qualities. I will suggest and provide the appropriate associated timbres with clear articulations in Giovanni Bottesini's Concertino. Due to the unique bel-canto Italian style of Bottesini this guide will provide a descriptive dais for all Bottesini performance requirements.