Girly Man
Autor Charles Bernsteinen Limba Engleză Paperback – 15 apr 2008
Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Charles Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking.
Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole.
A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.
“A major achievement. . . . Anyone interested in contemporary poetry should seek out the collection, if only to read one of our most provocative poet-critics writing his most engaging poems to date.”—Thomas Devaney, PhiladelphiaInquirer
Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole.
A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.
“A major achievement. . . . Anyone interested in contemporary poetry should seek out the collection, if only to read one of our most provocative poet-critics writing his most engaging poems to date.”—Thomas Devaney, PhiladelphiaInquirer
“Charles Bernstein writes both prose and poetry about poetry, sometimes brilliantly, in ways calculated to upset the middlebrow and thwart the bland. The more you like the poetic equivalent of a nice tune, easy to hum, the more Bernstein means to disrupt your complacency.”—Robert Pinsky, Washington Post
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Specificații
ISBN-13: 9780226044293
ISBN-10: 0226044297
Pagini: 188
Ilustrații: 2 halftone
Dimensiuni: 140 x 216 x 15 mm
Greutate: 0.29 kg
Editura: University of Chicago Press
Colecția University of Chicago Press
ISBN-10: 0226044297
Pagini: 188
Ilustrații: 2 halftone
Dimensiuni: 140 x 216 x 15 mm
Greutate: 0.29 kg
Editura: University of Chicago Press
Colecția University of Chicago Press
Notă biografică
Charles Bernstein is the Donald T. Regan Professor of English at the University of Pennsylvania and the author of more than twenty books, including My Way: Speeches and Poems and With Strings, both published by the University of Chicago Press.
Cuprins
Let’s Just Say
In Particular
Thank You for Saying Thank You
Let’s Just Say
“every lake . . .”
Some of These Daze
It’s 8:23 in New York
Today is the next day of the rest of your life
Aftershock
Report from Liberty Street
Letter from New York
World on Fire
Didn’t We
The Folks Who Live on the Hill
One More for the Road
In a Restless World Like This Is
Ghost of a Chance
Choo Choo Ch’Boogie
Stranger in Paradise
Broken English
Lost in Drowned Bliss
Sunset at Quaquaversal Point
A Flame in Your Heart
Warrant
Warrant
Fantasy on Nightmare on Elm Street Theme
“Cum ipse . . .”
He’s So Heavy, He’s My Sokal
Why I Don’t Meditate
Questionnaire
Language, Truth, and Logic
from Canti Antichi
Slap Me Five, Cleo, Mark’s History
In Parts
Reading Red
Pomegranates
In Parts
122
Photo Opportunity
Likeness
Castor Oil
Shenandoah
Jacobs’s Ladder
Don’t Get Me Wrong
Interim Standoff
Should We Let Patients Write Down Their Own Dreams?
Bridges Freeze Before Roads
Pocket in the Hole
Evening Sail with Prawns
Secrets of a Clear Hand
Rain Is Local
Set Free (Knot)
If You Lived Here You’d Be Home Now
The Warble of the Ammonia-Bellied Barkeep
“And if then . . .”
Comforting Thoughts
Further Color Notes
Likeness
Girly Man
War Stories
There’s Beauty in the Sound of the Rushing Brook as It Forks & Bends in the Moonlight
Sign Under Test
A Poem Is Not a Weapon
Emma’s Nursery Rimes
Wherever Angels Go
Death Fugue (Echo)
The Beauty of Useless Things: A Kantian Tale
Self-Help
The Bricklayer’s Arms
The Ballad of the Girly Man
Notes and Acknowledgments
In Particular
Thank You for Saying Thank You
Let’s Just Say
“every lake . . .”
Some of These Daze
It’s 8:23 in New York
Today is the next day of the rest of your life
Aftershock
Report from Liberty Street
Letter from New York
World on Fire
Didn’t We
The Folks Who Live on the Hill
One More for the Road
In a Restless World Like This Is
Ghost of a Chance
Choo Choo Ch’Boogie
Stranger in Paradise
Broken English
Lost in Drowned Bliss
Sunset at Quaquaversal Point
A Flame in Your Heart
Warrant
Warrant
Fantasy on Nightmare on Elm Street Theme
“Cum ipse . . .”
He’s So Heavy, He’s My Sokal
Why I Don’t Meditate
Questionnaire
Language, Truth, and Logic
from Canti Antichi
Slap Me Five, Cleo, Mark’s History
In Parts
Reading Red
Pomegranates
In Parts
122
Photo Opportunity
Likeness
Castor Oil
Shenandoah
Jacobs’s Ladder
Don’t Get Me Wrong
Interim Standoff
Should We Let Patients Write Down Their Own Dreams?
Bridges Freeze Before Roads
Pocket in the Hole
Evening Sail with Prawns
Secrets of a Clear Hand
Rain Is Local
Set Free (Knot)
If You Lived Here You’d Be Home Now
The Warble of the Ammonia-Bellied Barkeep
“And if then . . .”
Comforting Thoughts
Further Color Notes
Likeness
Girly Man
War Stories
There’s Beauty in the Sound of the Rushing Brook as It Forks & Bends in the Moonlight
Sign Under Test
A Poem Is Not a Weapon
Emma’s Nursery Rimes
Wherever Angels Go
Death Fugue (Echo)
The Beauty of Useless Things: A Kantian Tale
Self-Help
The Bricklayer’s Arms
The Ballad of the Girly Man
Notes and Acknowledgments