Global Cult Cinemas: De-Westernizing Cult Film Studies: Global Exploitation Cinemas
Editat de Dolores Tierney, Iain Robert Smith, Shruti Narayanswamyen Limba Engleză Hardback – 2 oct 2024
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Specificații
ISBN-13: 9781501375200
ISBN-10: 1501375202
Pagini: 240
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Global Exploitation Cinemas
Locul publicării:New York, United States
ISBN-10: 1501375202
Pagini: 240
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Global Exploitation Cinemas
Locul publicării:New York, United States
Caracteristici
Offers case studies of specific global cult film texts and audiences alongside theoretical pieces that consider the broader issues at stake in de-Westernizing cult film studies
Notă biografică
Dolores Tierney is Senior Lecturer in Film Studies at the University of Sussex, UK. She has written extensively on Latin American exploitation and horror cinemas including chapters and articles in Cinema Journal (2014), Porn Studies (2019) and The Routledge Companion to Cult Cinema (2019), as well as the co-edited anthologies The Transnational Fantasies of Guillermo del Toro (2014) and Latsploitation, Exploitation Cinemas and Latin America (2009).Iain Robert Smith is Senior Lecturer in Film Studies at King's College London, UK. He is the author of The Hollywood Meme: Transnational Adaptations in World Cinema (2016) and co-editor of the collections Media Across Borders (2016) and Transnational Film Remakes (2017). He co-founded the SCMS Transnational Cinemas SIG and he is currently working on a monograph on cult traditions within Indian cinema.Shruti Narayanswamy is a PhD candidate in Film Studies at the University of St. Andrews, UK. Her PhD research explores the representation of women in early Bombay cinema. She recently published an article in Transnational Screens on low-budget superhero films produced in Malegaon (2019) and she is currently preparing a post-doc project on the emergence of cult fandom within India and the South Asian diaspora.
Cuprins
Introduction "De-Westernizing Cult Film Studies"Dolores Tierney (University of Sussex, UK), Iain Robert Smith (King's College London, UK), and Shruti Narayanswamy (University of St Andrews, UK)Part I - Reconsidering the Cult Paradigm: Race/Gender/Postcoloniality1. The Whiteness of Cult Iain Robert Smith (King's College London, UK)2. Alejandro Jodorowsky in the Era of #MeToo Victoria Ruétalo (University of Alberta, Canada) 3. Fangirls, Feminists and Horror Knitters: Female Audiences of 'Asia Extreme' Films in the Me Too Era. Emma Pett (University of York, UK)4. First Nations and Cult Cinema: Invisible, Assimilated, or Free? Ernest Mathijs (University of British Columbia, Canada)Part II - Cult Audiences and Reception5. Old Temple, New Worshippers: Contemporary Online Audiences for Indian Cult Cinema Shruti Narayanswamy (University of St Andrews, UK)6. Nascent Cult Viewing: Spanish Language Audiences and Theatres in New York and New Jersey 1969-1973 Dolores Tierney (University of Sussex, UK) 7. Cine de Culto, Cine Bizarro, Cine Inusual: Cult Cinema and Its Divergences in Argentina Jonathan Risner (Indiana University Bloomington, USA)8. Cult Across the Curtain: Receptions of the Czech Crazy Comedy at Home and Abroad Jonathan Owen (Independent Researcher)9. Maula Jatt; Or the Strange Case of Cult Cinema and Cinephilia in Pakistan Syeda Momina Masood (University of the Punjab, Pakistan)10. The Indonesian Context of Cult Cinema: The Cases of New Order's Exploitation Films Ekky Imanjaya (Bina Nusantara University, Indonesia)Part III - Cult Auteurs, Stars, and Genres11. Precarity, Opportunism, and a Stroke of Luck: Rafaele Rossi and Cult Filmmaking in Brazil Stephanie Dennison (University of Leeds, UK) and Laura Cánepa (Anhembi Morumbi University, São Paulo, Brazil)12. Roger Corman in Ireland: The Saga of the Cult Auteur, the Irish Film Industry, and the Transnational Straight-to-video Market in the 1990s Nessa Johnston (Edge Hill University, UK)13. The Cult of Rekha: Bollywood Stardom and Diva Worship in the Digital Era Michael Lawrence (University of Sussex, UK)14. From "Cines de Barrio" to Global Cult: The Films of El Santo, El Enmascarado de Plata (The Man in the Silver Mask)" Antonio Lázaro-Reboll (University of Kent, UK)15. Out of South Africa: Direct-to-Video, Zaxploitation, and Allegories of Space Ivo Ritzer (University of Bayreuth, Germany) 16. Tales of Entrails: Animist Cult Horror in Southeast Asia Rosalind Galt (King's College London, UK)Index