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Global Tribe: Technology, Spirituality and Psytrance: Studies in Popular Music

Autor Graham St John
en Limba Engleză Paperback – 30 iun 2012
The result of fifteen years of research in over a dozen countries, this book applies a sharp lens on a little understood global dance culture that has mushroomed all over the world since its beginnings in the diverse psychedelic music scenes flourishing in Goa in the 1970s and 1980s.
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Specificații

ISBN-13: 9781845539566
ISBN-10: 1845539567
Pagini: 224
Ilustrații: 42 illustrations
Dimensiuni: 155 x 231 x 25 mm
Greutate: 0.59 kg
Ediția:New.
Editura: Equinox Publishing (Indonesia)
Seria Studies in Popular Music


Notă biografică


Cuprins

Ch 1. Transnational Psytrance Ch 2. Goa Beach: Experience and the Orient Ch 3. The Vibe at the End of the World Ch 4. Spiritual Technology: Transition and its Prosthetics Ch 5. Psychedelic Festivals, Visionary Arts and Cosmic Events Ch 6. Freak Out: The Trance Carnival Ch 7. Psyculture in Israel and Australia Ch 8. Performing Risk and the Arts of Consciousness Ch 9. Riot of Passage: Liminal Culture and the Logics of Sacrifice Ch 10. Nothing Lasts Bibliography Filmography Discography

Recenzii

'From the esoteric traveler jams of Goa to the liminal zones of Boom and Burning Man, Graham St John guides us through the cosmic carnival of global psytrance with an intoxicating blend of deep research, empathic ethnography, and edge-dancing cultural analysis. This is the definitive book on what has become, from the perspective of planetary spiritual culture, the most resonant music scene of our transhuman century.' Erik Davis, author of The Visionary State and Nomad Codes: Adventures in Modern Esoterica 'Graham St John writes more insightfully about psytrance than any other academic. He provides a sophisticated understanding of that subtle relationship between contemporary spirituality, dance and music. The festival and the party are also a window into broader cultural trends. He understands both the intensity and transformative experience of psytrance, and draws on, and develops, contemporary academic theory to interpret psytrance in a way that is both respectful and incisive. We need more work like this.' Douglas Ezzy, Associate Professor, Sociology, University of Tasmania