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Green Matters: Ecocultural Functions of Literature: Nature, Culture and Literature, cartea 15

Maria Löschnigg, Melanie Braunecker
en Limba Engleză Hardback – 27 noi 2019
Green Matters offers a fascinating insight into the regenerative function of literature with regard to environmental concerns. Based on recent developments in ecocriticism, the book demonstrates how the aesthetic dimension of literary texts makes them a vital force in the struggle for sustainable futures. Applying this understanding to individual works from a number of different thematic fields, cultural contexts and literary genres, Green Matters presents novel approaches to the manifold ways in which literature can make a difference. While the first sections of the book highlight the transnational, the focus on Canada in the last section allows a more specific exploration of how themes, genres and literary forms develop their own manifestations within a national context. Through its unifying ecocultural focus and its variegated approaches, the volume is an essential contribution to contemporary environmental humanities.
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Specificații

ISBN-13: 9789004408869
ISBN-10: 900440886X
Pagini: 386
Dimensiuni: 155 x 235 x 28 mm
Greutate: 0.68 kg
Editura: Brill
Colecția Brill
Seria Nature, Culture and Literature


Cuprins

Notes on Contributors

Part 1: Introduction and Theoretical Frame



1Introduction to the Volume
Melanie Braunecker and Maria Löschnigg

2The Function of Literature in Environmental Discourses
Maria Löschnigg

3Literature and/as Cultural Ecology
Hubert Zapf

Part 2: Literature and the Environment: Past and Present



4Representing the Environment in Victorian, Modern, and Postcolonial Fictions: Three Maritime Canadian Novels
David Creelman

5‘On the Edge of Humanism’: Travel Writing at the Intersection of Environmental Concerns
Halia Koo

6James Joyce’s Ulysses: Vampires, ‘Fake News’, and the Approaching Global Environmental Hunger Crisis
Bonnie Roos

Part 3: New Approaches to Climate Fiction



7Cli-Fi – Genre of the Twenty-First Century? Narrative Strategies in Contemporary Climate Fiction and Film
Axel Goodbody

8Western American Cli-Fi: The Biosemiotics of Ecophrasis
Alex Hunt

9Allegory and Human Nature in Ian McEwan’s Solar
Johannes Wally

10Un/doing Climate Change in Alexis Wright’s The Swan Book and Ellen van Neerven’s ‘Water’
Iva Polak

11Abject Permanence: Apocalyptic Narratives and the Horror of Persistence
Heather Duncan and Eleanor Gold

Part 4: Creative Criticism



12Imagination and the Eco-social Crisis (or: Why I Write Creative Non-fiction)
Julia Martin

13‘When we walked on the backs of fish’: A Writer’s Environmental Path in the Creation of Multi-dimensional Narratives
Marilyn Bowering

14The Multi-genre Multimedia Disjunctive Poetic Narrative Dream Text: ‘New Epic’ Attentions in Contemporary Canadian Experimental Writing
Di Brandt

Part 5: Special Focus: Canadian Contexts



15Native Knowledge Systems and the Cultural Ecology of Literature
Maria Löschnigg

16Climate Change Drama across Time and Space: Chantal Bilodeau’s Forward (2016)
Nassim Winnie Balestrini

17The Lure of Fast Money: Staging Fort McMurray
Melanie Braunecker

18carried away on the crest of a wave – A Play of Hope by David Yee
Albert Rau

19Where the Wild Things Are: The Role of Animals in Canadian Schoolbooks
Claire E. Smerdon

20Two Tragic Tales of Ursus canadensis: Animal Perspectives in Charles G.D. Roberts’ The Heart of the Ancient Wood and Antonine Maillet’s L’Oursiade
Konrad Gro

Index

Notă biografică

Maria Löschnigg is Professor of English at the University of Graz, Austria. She has published monographs on Canadian literature and British drama, co-edited books on literature and migration, and on contemporary epistolary writing. Her articles focus on a wide range of fields, including ecocritical issues such as Canadian ecopoetry, Native ecologies and Nigerian petro-literature.

Melanie Braunecker is a PhD candidate at the Karl Franzens University of Graz, Austria, and a high school teacher of Latin and English in Klagenfurt, Austria. Her PhD project focuses on literary representations of Canada’s oil/tar sands.