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Green Screen: Environmentalism and Hollywood Cinema

Autor David Ingram
en Limba Engleză Paperback – 31 dec 2003
This book combines film studies with environmental history and politics, aiming to establish a cultural criticism informed by 'green' thought. David Ingram argues that Hollywood cinema has largely perpetuated romantic attitudes to nature and has played an important ideological role in the'greenwashing' of ecological discourses.
 
The book accounts for the rise of environmental concerns in Hollywood cinema and explores the ways in which attitudes to nature and the environment are constructed in a number of movies. It is divided into three sections: Wilderness in Hollywood Cinema, Wild Animals in Hollywood Cinema, and Development and the Politics of Land Use.
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Specificații

ISBN-13: 9780859896092
ISBN-10: 0859896099
Pagini: 240
Dimensiuni: 229 x 152 x 23 mm
Greutate: 0.38 kg
Ediția:Revised
Editura: UNIVERSITY OF EXETER PRESS
Colecția University of Exeter Press
Locul publicării:United Kingdom

Notă biografică

David Ingram is a lecturer in American Studies at Brunel University

Cuprins

Acknowledgements
Preface
Introduction: Melodrama, Realism and Environmental Crisis
I: Wilderness in Hollywood Cinema
1. Discourses of Nature and Environmentalism
2. The Cinematography of Wilderness Landscapes
3. Gender and Encounters with Wilderness
4. Ecological Indians and the Myth of Primal Purity
5. The Politics of the Amazonian Rain Forests
II. Wild Animals in Hollywood Cinema
Introduction
6. North American Anti-Hunting Narratives
7. North American Ocean Fauna
8. Wolves and Bears
9. African Wildlife from Safari to Conservation
III: Development and the Politics of Land Use
Introduction
10. Country and City
11. The Ecology of Automobile Culture
12. The Risks of Nuclear Power
Conclusion
Notes
Filmography
Bibliography
Index

Recenzii

“This book is primarily an agenda-setter. As such it makes clear how complex and important are the debates that film studies and American studies more widely will need to tackle regarding representations and critique of late-capitalist consumerism in its global phase.” –Forum for Modern Languages, Vol. 38, No. 1, 2002