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Grupo de Arte Callejero: Thought, Practice, and Actions

Autor Mareada Rosa Translation Collective
en Limba Engleză Paperback – 11 dec 2019
A profound story of social movements and art in Latin America, the Grupo de Arte Callejero creatively confronts the genocide and disappearances of Argentinäs military junta, the economic collapse in 2001, and ongoing neoliberal austerity.
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Specificații

ISBN-13: 9781942173106
ISBN-10: 1942173105
Pagini: 352
Dimensiuni: 155 x 229 x 25 mm
Greutate: 0.48 kg
Editura: Common Notions

Notă biografică

Grupo de Arte Callejero formed in Buenos Aires, Argentina in 1997 out of a need to create a space where the artistic and political could be part of a single means of production. Because of this, their work blurs the boundaries between militancy and art, and develops confrontational forms and strategies that operate within determined contexts: the street, the occupation, the demonstration. From the beginning, their work has searched for a space for visual communication that would escape the traditional circuit of exhibition, taking as its central axis of production the appropriation of public spaces. A large part of their work is anonymous in character, which allows for the continued elaboration of these practices and methodologies by like-minded individuals or groups. Many of their projects have emerged as collective constructions with political movements, groups, and individuals, creating a unique dynamic of production that is in permanent transformation due to this constant exchange and putting into political practice.

Mareada Rosa is a translation collective based in Michigan interested in bringing critical work in the areas of politics and culture from North and South America into English. Its members are Catalina Esguerra, Laura Herbert, Hilary Levinson, María Robles, Brian Whitener and Silvina Yi.


Cuprins

Introduction

Exit to Exit

Cartographic Thoughts

Concepts and Practices

The Escrache

Image and Memory

Invasion

19th and 20th of December

Ministry of Control

Communication

Methodologies

Photographic Record

Spaces

Institutional relations

Moving target

Thinking on the defensive

The Apple Doesn’t Fall Far…

Anti-monument

Actions

Epilogue