Handbook of the Colour Print in China 1600-1800
Editat de Anne Farrer, Kevin McLoughlinen Limba Engleză Hardback – 7 dec 2021
Leading scholars of Chinese print culture trace the emergence of a sophisticated and fully developed colour woodblock print technology between the late Ming and mid-Qing. This volume examines the impact of colour prints on Qing visual culture through interdisciplinary studies investigating literary and artistic contexts, social and economic histories, and dating through European inventoried collections.
Richly illustrated with full-colour reproductions, this volume is an essential contribution to the future study of Chinese print and book culture.
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Specificații
Notă biografică
Anne Farrer PhD (1984) is a research fellow of the China Academy of Art and the Muban Educational Trust, specialising in Chinese print culture. A former curator at the British Museum, and senior lecturer at Sotheby’s Institute of Art – London.
Kevin McLoughlin PhD (2006), University of Sussex, is a curator and art historian of China. He has published on Chinese print culture, Ming visual culture, collection histories, and modern Chinese painters. He has translated texts on Chinese furniture, and print culture.
Kevin McLoughlin PhD (2006), University of Sussex, is a curator and art historian of China. He has published on Chinese print culture, Ming visual culture, collection histories, and modern Chinese painters. He has translated texts on Chinese furniture, and print culture.
Recenzii
... this beautifully-produced handbook will bring pleasure and education to all those interested in the arts of the late Ming and early Qing. The essay authors, and the editors, deserve praise for producing a volume which is already an essential reference work for scholars of Chinese art, books and printing history.
Beth McKillop in: The Oriental Ceramic Society Newsletter, no. 30, May 2022.
Beth McKillop in: The Oriental Ceramic Society Newsletter, no. 30, May 2022.