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Hans Holbein: Revised and Expanded Second Edition

Autor Pascal Griener, Oskar Bätschmann
en Limba Engleză Paperback – 14 ian 2014
 Hans Holbein the Younger was the leading artist of the Northern Renaissance, yet his life and work are not nearly as well-documented as those of his contemporaries Leonardo da Vinci or Michelangelo. That omission has been remedied with this acclaimed study by Oskar Bätschmann and Pascal Griener. Hans Holbein chronicles the life and oeuvre of Holbein (1497/8–1543), as Bätschmann and Griener apply their considerable knowledge to explore the full range of cultural and social influences that affected him and his work. The artist’s friendships with leading thinkers such as Erasmus and Thomas More, the development of his painting style, and the cultural influences on his work are all discussed here in this unparalleled and in-depth biography that will be essential to the bookshelf of every art lover. This second edition includes an expanded introduction and additional images.
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Specificații

ISBN-13: 9781780231716
ISBN-10: 1780231717
Pagini: 352
Ilustrații: 85 color plates, 203 halftones
Dimensiuni: 140 x 216 x 28 mm
Greutate: 0.79 kg
Ediția:Second Edition, Revised and Expanded
Editura: REAKTION BOOKS
Colecția Reaktion Books

Notă biografică

 Oskar Bätschmann is professor of the history of art at the University of Bern and the author of Giovanni Bellini, also published by Reaktion Books. Pascal Griener is professor of the history of art at the Institute of Art History in Neuchatel, Switzerland.

Cuprins

Chronology
Preface
Introduction to the Revised Second Edition: Holbein the Younger’s Patrons and Networks
Artistic Competition and Self-definition
Figure and Movement, Invention and Narration
Monumental Decorative Works
Religious Works: The Making of Erasmian Art
Italian and Northern Art
The Portrait, Time and Death
Holbein’s Fame
Appendix
References
Select Bibliography
Acknowledgements
Photographic Acknowledgements
Index

Recenzii

“This readable scholarly book not only situates Holbein carefully in his own time but teaches us how to read his paintings and prints in depth.”

“The authors reveal a real sympathy for and an understanding of the mixed character of Holbein’s work. . . . Fresh and rewarding.”

“A product of the most exhaustive Germanic scholarship, this publication sets the bar anew for the study of Holbein. . . . Encased within the hard shell of this essay are excellent formal and iconographical analyses and insights available nowhere else. . . . This will remain the definitive work for some time. . . . Essential.”