Hidden Faces: Covered Portraits of the Renaissance
Editat de Alison Manges Nogueira Contribuţii de Maryan Wynn Ainsworth, Andrea Bayer, Carmen C. Bambach, Angelica Dülberg, Shirin Fozi, Wolfram Koeppe, Sarah E. Lawrence, Joanna Seidenstein, Femke Spielberg, Delphine Tonglet, Joshua Waterman, Catherine Whistleren Limba Engleză Hardback – 30 apr 2024
Many small Renaissance portraits were richly adorned with covers or backs bearing allegorical figures, mythological scenes, or emblems that celebrated the sitter and invited the viewer to decipher their meaning. Hidden Faces includes seventy objects, ranging in format from covered paintings to miniature boxes, that illuminate the symbiotic relationship between the portrait and its pair. Texts by thirteen distinguished scholars vividly illustrate that the other “faces” of these portraits represent some of the most innovative images of the Renaissance, created by masters such as Hans Memling and Titian. Uniting works that have in some cases been separated for centuries, this fascinating volume shows how the multifaceted format unveiled the sitter’s identity, both by physically revealing the portrait and reading the significance behind its cover.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule:
The Metropolitan Museum of Art, New York
(April 2–July 7, 2024)
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Specificații
ISBN-13: 9781588397751
ISBN-10: 1588397750
Pagini: 232
Ilustrații: 204 color illus.
Dimensiuni: 216 x 254 x 26 mm
Greutate: 1.26 kg
Editura: Yale University Press
Colecția Metropolitan Museum of Art
ISBN-10: 1588397750
Pagini: 232
Ilustrații: 204 color illus.
Dimensiuni: 216 x 254 x 26 mm
Greutate: 1.26 kg
Editura: Yale University Press
Colecția Metropolitan Museum of Art
Recenzii
A Times Literary Supplement Book of the Year, 2024
Notă biografică
Alison Manges Nogueira is curator in the Robert Lehman Collection at The Metropolitan Museum of Art, New York.
Descriere
Highlighting the creativity and symbolism of covered portraits, this volume explores an intriguing but largely unknown aspect of Italian and Northern European Renaissance art