Hip-Hop Archives: The Politics and Poetics of Knowledge Production
Autor Murray Forman, Mark V. Campbellen Limba Engleză Paperback – 6 iun 2025
Despite the vast popularity and cultural influence of hip-hop, efforts to archive its history are still in fairly early stages. This book focuses on the cultural and political aspects of those undertakings. It addresses practical aspects, including methods of collection, curation, preservation, and digitization, and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications of hip-hop culture’s enduring tensions with dominant social values. A wide swath of hip-hop culture is covered by the contributors, including dance, graffiti, clothing, and battle rap.
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Specificații
ISBN-13: 9781835951064
ISBN-10: 1835951066
Pagini: 354
Ilustrații: 16 images
Dimensiuni: 170 x 244 x 25 mm
Greutate: 0.45 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
ISBN-10: 1835951066
Pagini: 354
Ilustrații: 16 images
Dimensiuni: 170 x 244 x 25 mm
Greutate: 0.45 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Notă biografică
Mark V. Campbell is a DJ, curator, and assistant professor of music and culture at the University of Toronto Scarborough. Murray Forman is professor of media and screen studies at Northeastern University.
Cuprins
List of Figures vii
Acknowledgments ix
Introduction: “An Archival State of Mind” xiii
Mark V. Campbell
SECTION 1: DOING THE KNOWLEDGE 1
1. The Hip Hop Archive and the High School Student: Symbiotic Knowledge Disruption 3
Kulsoom Anwer Shaikh
2. Hip Hop as a Practical and Methodological Issue: Libraries in Russia 19
Sergey Ivanov
3. Hip Hop Dance and the Circulation of Breaking Footage 41
Mary Fogarty and Jason “J-Sun” Noer
4. The Black History 101 Mobile Museum and the Michigan Hip-Hop Archive 57
Khalid El-Hakim
SECTION 2: CHALLENGING ARCHIVAL FORMS 77
5. As We Walk through the Archived Files of All Styles: Archival Practices and Cultural Memory on Battle Rap Forums 79
Sean Robertson-Palmer
6. The Responsibilities and Challenges of Community-Engaged Archives: Lessons from Building the Massachusetts Hip-Hop Archive 96
Pacey Foster
7. The Ballad of “Grandmaster PH”: Contesting Narratives and Lost Archives in Philippine Hip-Hop 114
James Gabrillo
8. Painting, Image, and Cultural Heritage: The Graffiti Mural Fascinate as Visual Ecology 129
Jacob Kimvall
9. Oral History and the Accidental Archive 154
Giuseppe “u.net” Pipitone
SECTION 3: BEYOND THE NATION 167
10. Traces of Solidarity and Breakdown: Domestic Collection in Post-Yugoslav Hip Hop Fanzines and Mixtapes 169
Owen Kohl and Dragana Cvetanovic
11. Living Archives: Producing Knowledge about Hip-Hop Culture in East Germany 196
Leonard Schmieding
12. Rap Cubano in the Archive: The Immaterial Paradox 221
Pablo D. Herrera Veitia
SECTION 4: INSTITUTIONAL ALIGNMENTS: INTERVIEWS AND REFLECTIONS 249
13. Nwaka Onwusa (Vice President and Chief Curator, Rock and Roll Hall of Fame) 251
14. Ben Ortiz (Assistant Curator, Cornell Hip Hop Collection) 268
15. Martha Diaz (Chief Curator/Archivist, Hip Hop Education Center and Associate Curator/Archivist, Universal Hip Hop Museum) 281
Afterword 297
Murray Forman
Notes on Contributors 309
Index 317
Acknowledgments ix
Introduction: “An Archival State of Mind” xiii
Mark V. Campbell
SECTION 1: DOING THE KNOWLEDGE 1
1. The Hip Hop Archive and the High School Student: Symbiotic Knowledge Disruption 3
Kulsoom Anwer Shaikh
2. Hip Hop as a Practical and Methodological Issue: Libraries in Russia 19
Sergey Ivanov
3. Hip Hop Dance and the Circulation of Breaking Footage 41
Mary Fogarty and Jason “J-Sun” Noer
4. The Black History 101 Mobile Museum and the Michigan Hip-Hop Archive 57
Khalid El-Hakim
SECTION 2: CHALLENGING ARCHIVAL FORMS 77
5. As We Walk through the Archived Files of All Styles: Archival Practices and Cultural Memory on Battle Rap Forums 79
Sean Robertson-Palmer
6. The Responsibilities and Challenges of Community-Engaged Archives: Lessons from Building the Massachusetts Hip-Hop Archive 96
Pacey Foster
7. The Ballad of “Grandmaster PH”: Contesting Narratives and Lost Archives in Philippine Hip-Hop 114
James Gabrillo
8. Painting, Image, and Cultural Heritage: The Graffiti Mural Fascinate as Visual Ecology 129
Jacob Kimvall
9. Oral History and the Accidental Archive 154
Giuseppe “u.net” Pipitone
SECTION 3: BEYOND THE NATION 167
10. Traces of Solidarity and Breakdown: Domestic Collection in Post-Yugoslav Hip Hop Fanzines and Mixtapes 169
Owen Kohl and Dragana Cvetanovic
11. Living Archives: Producing Knowledge about Hip-Hop Culture in East Germany 196
Leonard Schmieding
12. Rap Cubano in the Archive: The Immaterial Paradox 221
Pablo D. Herrera Veitia
SECTION 4: INSTITUTIONAL ALIGNMENTS: INTERVIEWS AND REFLECTIONS 249
13. Nwaka Onwusa (Vice President and Chief Curator, Rock and Roll Hall of Fame) 251
14. Ben Ortiz (Assistant Curator, Cornell Hip Hop Collection) 268
15. Martha Diaz (Chief Curator/Archivist, Hip Hop Education Center and Associate Curator/Archivist, Universal Hip Hop Museum) 281
Afterword 297
Murray Forman
Notes on Contributors 309
Index 317