History, Tragedy, Theory: Dialogues on Athenian Drama
Editat de Barbara Goffen Limba Engleză Paperback – mar 2011
The book includes essays by seven of the foremost scholars of Greek drama—Helene Foley, Michelle Gellrich, Peter W. Rose, David Rosenbloom, Richard Seaford, Bernd Seidensticker, and Froma I. Zeitlin. These writers explore the work of all three great tragedians, Aeschylus, Sophocles, and Euripides, and approach them from a variety of perspectives on history and theory, including poststructuralism and Marxism. They investigate the possibilities for coordinating theoretically informed readings of tragedy with a renewed attention to the pressure of material history within those texts. The collection thus represents a response within classics to "New Historicism" and the debates it has generated within related literary disciplines.
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Specificații
ISBN-13: 9780292728653
ISBN-10: 0292728654
Pagini: 238
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.45 kg
Ediția:New.
Editura: University of Texas Press
Colecția University of Texas Press
ISBN-10: 0292728654
Pagini: 238
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.45 kg
Ediția:New.
Editura: University of Texas Press
Colecția University of Texas Press
Notă biografică
Barbara Goff is Assistant Professor of Classics at the University of Texas at Austin. She is the author of The Noose of Words: Readings of Desire, Violence and Language in Euripides’ ‘Hippolytos.’
Cuprins
- Acknowledgments
- 1. Introduction: History, Tragedy, Theory (Barbara Goff)
- 2. Interpreting Greek Tragedy: History, Theory, and the New Philology (Michelle Gellrich)
- 3. Historicizing Sophocles' Ajax (Peter W. Rose)
- 4. Myth, History, and Hegemony in Aeschylus (David Rosenbloom)
- 5. Tragedy and Democratic Ideology: The Case of Sophocles' Antigone (Helene Foley)
- 6. Women on the Tragic Stage (Bernd Seidensticker)
- 7. Art, Memory, and Kleos in Euripides' Iphigenia in Aulis (Froma I. Zeitlin)
- 8. Historicizing Tragic Ambivalence: The Vote of Athena (Richard Seaford)
- Notes on Contributors
- Index
Descriere
This collection of essays on Athenian drama demonstrates that Greek tragedy still retains its power to provoke debate and to engage the interest of specialists and non-classicists alike.