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Hitchcock and the Cinema of Sensations: Embodied Film Theory and Cinematic Reception

Autor Paul Elliott
en Limba Engleză Hardback – 29 aug 2011
When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shadow of a Doubt", physical sound reception in the "Psycho" shower scene and the importance of corporeality and closeness in "Rear Window". We see how the body's sensations have a vital place in cinematic reception and the study of film.
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Specificații

ISBN-13: 9781848855878
ISBN-10: 1848855877
Pagini: 248
Dimensiuni: 138 x 216 x 28 mm
Greutate: 0.44 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom

Notă biografică

Paul Elliott teaches in the Department of Literature, Film and Theatre Studies at the University of Essex.

Cuprins

IntroductionPART 1: THE THEORY 1. Film and Embodiment: New Sensations in Spectatorship 2. Philosophy and Embodiment: Re-figuring the Corporeal Self3. Neuroscience and Embodiment: Exploring the Thinking FleshPART 2: THE FILMS 4. On Hitchcock5. On Taste and Digestion 6. On Smell7. On Hearing 8. On TouchingConclusion