While ostensibly documenting a European vacation, Holiday interrogates historical narratives and artistic representations, examining patriarchal and nepotistic political and religious connections that are repackaged into the souvenir experience. From stripped reportage to dream fragments, Holiday positions the "traveller" in a hyperconscious lens that undermines conventional notions about the meaning of a holiday. Beneath the careful recording of art, food, and guidebooks' "most visited sites" are reverberations of war and power exposing the traveller's consumer culpability and the role of choice in demarcating and memorializing personal and historical trajectories.