Hollywood Abroad: Audiences and Cultural Exchange
Autor Melvyn Stokes, Richard Maltbyen Limba Engleză Paperback – 2 aug 2007
Preț: 231.06 lei
Nou
Puncte Express: 347
Preț estimativ în valută:
44.22€ • 45.88$ • 36.96£
44.22€ • 45.88$ • 36.96£
Carte disponibilă
Livrare economică 22 februarie-08 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781844570515
ISBN-10: 1844570517
Pagini: 183
Dimensiuni: 155 x 235 x 10 mm
Greutate: 0.36 kg
Ediția:2007
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1844570517
Pagini: 183
Dimensiuni: 155 x 235 x 10 mm
Greutate: 0.36 kg
Ediția:2007
Editura: British Film Institute
Colecția British Film Institute
Locul publicării:London, United Kingdom
Cuprins
1.Introduction:
The
Americanization
of
the
World;
Richard
Maltby.-
2.
The
Reception
of
American
Films
in
France,
c.
1910-1920;
Raphaelle
Costa
de
Beauregard
and
Melvyn
Stokes;.-
3.
'A
Great
American
Sensation':
Thomas
Ince's
Civilization
at
The
Palladium,
Southampton,
1917;
Michael
Hammond.-
4.
A
balanced
show:
the
Australian
picture
theatre
manager
at
work
in
1922;
Anne
Bittner.-
5.
Cowboys,
jaffas
and
pies:
researching
cinema-going
in
the
Illawarra;
Nancy
Huggett
and
Kate
Bowles.-
6.
Hollywood
and
the
Multiple
Constituencies
of
Colonial
India;
Priya
Jaikumar.-
7.
'Home
of
American
Movies':
Subaru
Za
and
the
Making
of
Hollywood's
Audiences
in
Occupied
Tokyo,
1946-1949;
Hiroshi
Kitamura.-
8.
The
Making
of
Our
America:
Hollywood
in
a
Turkish
context;
Nezih
Erdogan.-
9.
Popular
Films
and
Colonial
Audiences
in
Central
Africa;
Charles
Ambler.-
10.
'It's
the
language
of
film!':
Young
film
audiences
on
Hollywood
and
Europe;
Philippe
Meers.
Notă biografică
Melvyn
Stokesteaches
American
history
and
film
history
at
University
College,
London.Richard
Maltbyis
Professor
of
Screen
Studies
and
Head
of
Humanities
at
Flinders
University
in
South
Australia.
Textul de pe ultima copertă
Hollywood
Abroad
is
the
first
book
to
examine
the
reception
of
Hollywood
movies
by
non-American
audiences.
Although
numerous
books
on
film
history
have
analyzed
the
ways
in
which
American
films
came
to
dominate
world
markets,
there
has
so
far
been
very
little
published
work
on
how
audiences
outside
the
United
States
have
responded
to
Hollywood-produced
films.
Hollywood
Abroad
explores
the
reception
of
U.S.
films
in
Britain,
France,
Belgium,
Turkey,
Australia,
India,
Japan,
and
Central
Africa.
The
book
covers
topics
from
the
first
major
penetration
of
American
films
into
France,
Britain,
and
Australia
to
the
impact
of
such
films
as
The
Best
Years
of
Our
Lives
to
the
response
of
Belgian
young
people
in
the
age
of
the
multiplex.
It
demonstrates
that
the
story
of
the
reception
of
American
films
overseas
is
less
one
of
domination
than
of
a
complex
adoption
of
Hollywood
into
various
cultures.