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Hop on Pop – The Politics and Pleasures of Popular Culture

Autor Henry Jenkins, Jane Shattuc, Tara McPherson
en Limba Engleză Paperback – 22 ian 2003
"Hop on Pop" showcases the work of a new generation of scholars--from fields such as media studies, literature, cinema, and cultural studies--whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.
The essays cover a wide and colorful array of subjects including pro wrestling, the computer games "Myst" and "Doom, " soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the "Wizard of Oz, " Internet fandom for the series "Babylon 5, " and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.
"Hop on Pop" will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader. "Contributors." John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O'Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi
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Specificații

ISBN-13: 9780822327370
ISBN-10: 0822327376
Pagini: 760
Ilustrații: 63 b&w photographs
Dimensiuni: 180 x 259 x 42 mm
Greutate: 1.29 kg
Ediția:New.
Editura: MD – Duke University Press

Cuprins

I. IntroductionThe Culture that Sticks to Your Skin: A Manifesto for a New Cultural Studies Defining Popular Culture - Henry Jenkins (MIT), Tara McPherson (University of Southern California) &Jane Shattuc (Emerson College)II. SelfDaytime Utopias: If you lived in Pine Valley, you’d be home - Elayne Rapping (SUNY, Buffalo)Cardboard Patriarchy: Adult Baseball card collecting and the nostalgia for a pre-sexual past - John BloomVirgins for Jesus: The gender politics of therapeutic Christian fundamentalist media - Heather Hendershot (Queens College/CUNY)“Do we look like Ferengi capitalists to you?” Star Trek’s Klingons as emergent virtual American ethics – Peter ChvanyThe Empress’ new clothing?: Public intellectualism and popular culture - Jane Shattuc (Emerson College)“My beautiful wickedness”: The Wizard of Oz as lesbian fantasy - Alexander Doty (Lehigh University)III Maker“Ceci n’est pas une jeune fill”: Videocams, representations and “othering” in the worlds of teenage girls - Gerry Bloustein (University of South Australia)“No matter how small”: The democratic imagination of Dr Seuss - Henry Jenkins (MIT)An auteur in the age of the Internet: JMS, Babylon 5 and the Net - Alan Wexelblat“I’m a loser baby”: Zines and the creation of underground identity - Stephen Duncombe (New York University)Anyone can do it: Forging a participatory culture in karaoke bars - Rob Drew (Saginaw Valley State University)IV PerformanceWatching wrestling / writing performance - Sharon Mazer (University of Canterbury, New Zealand)Mae West’s Maids: Race, “Authenticity”, and the discourse of camp - Pamela Robertson Wojcik (University of Notre Dame)“They dig her message”: Opera, television and the black diva - Diane BrooksHow to become a camp icon in five easy lessons: Fetishism and Tallulah Bankhead’s phallus - Edward O'Neill V Taste“It will get a terrific laugh”: On the problematic pleasures and politics of Holocaust humor - Louis Kaplan (Southern Illinois University)The sound of disaffection - Tony GrajedaCorruption, criminality and the nickelodeon - Roberta Pearson (Cardiff University) &William Uricchio (Utrecht University)Racial cross-dressing in the Jazz Age: Cultural therapy and its discontents in cabaret nightlife - Nick Evans (University of Texas at San Antonio)The invisible burlesque body of LaGuardia’s New York - Anna McCarthy (New York University)“Quarantined!” A case study of Boston’s Combat Zone - Eithne Johnson (Wellesley College) &Eric Schaefer (Emerson College)VI ChangeOn thrifting - Matthew Tinkhom (Georgetown University) &Amy Villarejo (Cornell University)Shopping sense: Fanny Fern and Jennie June on consumer culture in the nineteenth century - Elana Crane (Miami University)Navigating Myst-y Landscapes: Killer applications and hybrid criticisms - Greg Smith (Carlow College, Pittsburgh)The rules of the game: Evil Dead II . . .meet they Doom - Angela Ndalianis (University of Melbourne)Seeing in black and white: Gender and racial visibility from Gone with the Wind to Scarlett - Tara McPherson (University of Southern California)VII HomeThe last truly British people you will ever know: Skinheads, Pakis and Morrisey - Nabeel Zuberi (University of Auckland)Finding one’s way home: I dream of Jeannie and diasporic identity - Maria Koundoura (Emerson College)“As Canadian as possible. . .”: Anglo-Canadian popular culture and the American other - Aniko Bodroghkozy (University of Alberta)Wheels of fortune: Nation, culture and the Tour de France - Catherine Palmer (University of Adelaide)Narrativizing cyber-travel: CD-ROM travel games and the art of historical recovery - Ellen Strain (Georgia Tech)Hotting, twocking and the indigenous shipping: A vehicular theory of knowledge in cultural studies - John Hartley (Queensland University of Technology)VIII Emotion“Ain’t I de one everybody come to see?!” Popular memories of Uncle Tom’s Cabin - Robyn Warhol (University of Vermont)Stress management ideology and the other spaces of women’s power - Katherine Green (Purdue University – Calumet)“Have you seen this child?”: From milk carton to Mise-en-Abyme - Eric Freedman (Florida Atlantic University)Introducing horror - Charles WeiglIX Statements by authors

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Textul de pe ultima copertă

"A lively travelogue of the 'lively arts, ' "Hop on Pop "cheerfully transcends political, personal, and professional boundaries to offer a sprawling rainbow map of popular culture and exposes those old boundaries for the sneetch-like spooks they truly are."--Scott McCloud, cartoonist and author of" Understanding Comics"

Descriere

A major collection of fan-based cultural studies work, largely by a new generation of scholars