Horror Film and Affect: Towards a Corporeal Model of Viewership: Routledge Advances in Film Studies
Autor Xavier Aldana Reyesen Limba Engleză Hardback – 24 feb 2016
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Specificații
ISBN-13: 9780415749824
ISBN-10: 0415749824
Pagini: 220
Ilustrații: 20 black & white illustrations, 20 black & white halftones
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Film Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415749824
Pagini: 220
Ilustrații: 20 black & white illustrations, 20 black & white halftones
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Film Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Introduction: The Affective-Corporeal Dimensions of Horror 1.Representation: Abjection, Disgust and the (Un)Gendered Body 2. Emotion: Cognition, Threat and Self-Reflection 3. Somatics: Startles, Somatic Empathy and Viewer Alignment Conclusion
Recenzii
Challenging theories of abjection, complicating cognitivism and recalibrating approaches to identification, this work brilliantly embodies the future of Horror Studies. Xavier Aldana Reyes slashes through received wisdoms: whether tackling New French Extremity, digital found footage, or the multiplex 3D movie,Horror Film and Affectis never less than razor sharp.
—Matt Hills, Professor of Film and TV Studies at Aberystwyth University and author ofThe Pleasures of Horror(2005)
Aldana Reyes presents a powerful, directly experiential approach to body horror which will have lasting impact on the field of horror film spectatorship. His innovative "affective-corporeal" somatic model considers how the affective encounter with abject images of torture, pain and dismemberment works not just to frighten and repel but to mobilise our emotional empathy.
—Anna Powell, Research Fellow at Manchester Metropolitan University and author ofDeleuze and Horror Film(2005)
Aldana Reyes’ book gathers insightful excursions into the twisted realm of affect and horror cinema, and finally manages to re-evaluate and fuse influential body theories in his courageous and very original genre criticism.
—Marcus Stiglegger, Lecturer in Film Studies at the University of Siegen, Germany, and author of Terrorkino: Angst/Lust und Körperhorror (2010)
—Matt Hills, Professor of Film and TV Studies at Aberystwyth University and author ofThe Pleasures of Horror(2005)
Aldana Reyes presents a powerful, directly experiential approach to body horror which will have lasting impact on the field of horror film spectatorship. His innovative "affective-corporeal" somatic model considers how the affective encounter with abject images of torture, pain and dismemberment works not just to frighten and repel but to mobilise our emotional empathy.
—Anna Powell, Research Fellow at Manchester Metropolitan University and author ofDeleuze and Horror Film(2005)
Aldana Reyes’ book gathers insightful excursions into the twisted realm of affect and horror cinema, and finally manages to re-evaluate and fuse influential body theories in his courageous and very original genre criticism.
—Marcus Stiglegger, Lecturer in Film Studies at the University of Siegen, Germany, and author of Terrorkino: Angst/Lust und Körperhorror (2010)
Descriere
This book brings together three areas of study that have received consistent academic attention in recent years – affect theory, horror cinema, and performance studies – to make a significant contribution to the study of moving images of mutilation and audience reception.