How the Irish Saved Civilization
Autor Thomas Cahill Donal Donnellyen Limba Engleză CD-Audio – 30 sep 2003
From the Hardcover edition.
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Specificații
ISBN-13: 9780739309650
ISBN-10: 073930965X
Dimensiuni: 129 x 158 x 29 mm
Greutate: 0.25 kg
Ediția:Completă
Editura: Random House Audio Publishing Group
ISBN-10: 073930965X
Dimensiuni: 129 x 158 x 29 mm
Greutate: 0.25 kg
Ediția:Completă
Editura: Random House Audio Publishing Group
Recenzii
"Charming and poetic...an entirely engaging, delectable voyage into th edistant past, a small treasure." —The New York Times
"A lovely and engrossing tale . . . Graceful and instructive." —Richard Eder, Los Angeles Times
"Cahill's lively prose breathes life into a 1,600-year-old history." —The Boston Globe
From the Trade Paperback edition.
"A lovely and engrossing tale . . . Graceful and instructive." —Richard Eder, Los Angeles Times
"Cahill's lively prose breathes life into a 1,600-year-old history." —The Boston Globe
From the Trade Paperback edition.
Extras
The word Irish is seldom coupled with the word civilization. When we think of peoples as civilized or civilizing, the Egyptians and the Greeks, the Italians and the French, the Chinese and the Jews may all come to mind. The Irish are wild, feckless, and charming, or morose, repressed, and corrupt, but not especially civilized. If we strain to think of "Irish civilization," no image appears, no Fertile Crescent or Indus Valley, no brooding bust of Beethoven. The simplest Greek auto mechanic will name his establishment "Parthenon," thus linking himself to an imagined ancestral culture. A semiliterate restaurateur of Sicilian origin will give pride of place to his plaster copy of Michelangelo's David, and so assert his presumed Renaissance ties. But an Irish businessman is far more likely to name his concern "The Breffni Bar" or "Kelly's Movers," announcing a merely local or personal connection, unburdened by the resonances of history or civilization.
And yet . . . Ireland, a little island at the edge of Europe that has known neither Renaissance nor Enlightenment--in some ways, a Third World country with, as John Betjeman claimed, a Stone Age culture had one moment of unblemished glory. For, as the Roman Empire fell, as all through Europe matted, unwashed barbarians descended on the Roman cities, looting artifacts and burning books, the Irish, who were just learning to read and write, took up the great labor of copying all of western literature--everything they could lay their hands on. These scribes then served as conduits through which the Greco-Roman and Judeo-Christian cultures were transmitted to the tribes of Europe, newly settled amid the rubble and ruined vineyards of the civilization they had overwhelmed. Without this Service of the Scribes, everything that happened subsequently would have been unthinkable. Without the Mission of the Irish Monks, who single-handedly refounded European civilization throughout the continent in the bays and valleys of their exile, the world that came after them would have been an entirely different one--a world without books. And our own world would never have come to be.
Not for a thousand years--not since the Spartan Legion had perished at the Hot Gates of Thermopylae had western civilization been put to such a test or faced such odds, nor would it again face extinction till in this century it devised the means of extinguishing all life. As our story opens at the beginning of the fifth century, no one could foresee the coming collapse. But to reasonable men in the second half of the century, surveying the situation of their time, the end was no longer in doubt: their world was finished. One could do nothing but, like Ausonius, retire to one's villa, write poetry, and await the inevitable. It never occurred to them that the building blocks of their world would be saved by outlandish oddities from a land so marginal that the Romans had not bothered to conquer it, by men so strange they lived in little huts on rocky outcrops and shaved half their heads and tortured themselves with fasts and chills and nettle baths. As Kenneth Clark said, "Looking back from the great civilizations of twelfth-century France or seventeenth-century Rome, it is hard to believe that for quite a long time--almost a hundred years--western Christianity survived by clinging to places like Skellig Michael, a pinnacle of rock eighteen miles from the Irish coast, rising seven hundred feet out of the sea."
Clark, who began his Civilisation with a chapter (called "The Skin of Our Teeth") on the precarious transition from classical to medieval, is an exception in that he gives full weight to the Irish contribution. Many historians fail to mention it entirely, and few advert to the breathtaking drama of this cultural cliffhanger. This is probably because it is easier to describe stasis (classical, then medieval) than movement (classical to medieval). It is also true that historians are generally expert in one period or the other, so that analysis of the transition falls outside their--and everyone's?--competence. At all events, I know of no single book now in print that is devoted to the subject of the transition, nor even one in which this subject plays a substantial part.
In looking to remedy this omission, we may as well ask ourselves the big question: How real is history? Is it just an enormous soup, so full of disparate ingredients that it is uncharacterizable? Is it true, as Emil Cioran has remarked, that history proves nothing because it contains everything? Is not the reverse side of this that history can be made to say whatever we wish it to?
I think, rather, that every age writes history anew, reviewing deeds and texts of other ages from its own vantage point. Our history, the history we read in school and refer to in later life, was largely written by Protestant Englishmen and Anglo-Saxon Protestant Americans. Just as certain contemporary historians have been discovering that such redactors are not always reliable when it comes to the contributions of, say, women or African Americans, we should not be surprised to find that such storytellers have overlooked a tremendous contribution in the distant past that was both Celtic and Catholic, a contribution without which European civilization would have been impossible.
To an educated Englishman of the last century, for instance, the Irish were by their very nature incapable of civilization. "The Irish," proclaimed Benjamin Disraeli, Queen Victoria's beloved prime minister, "hate our order, our civilization, our enterprising industry, our pure religion [Disraeli's father had abandoned Judaism for the Church of England]. This wild, reckless, indolent, uncertain and superstitious race have no sympathy with the English character. Their ideal of human felicity is an alternation of clannish broils and coarse idolatry [i.e., Catholicism]. Their history describes an unbroken circle of bigotry [!] and blood." The venomous racism and knuckle-headed prejudice of this characterization may be evident to us, but in the days of "dear old Dizzy," as the queen called the man who had presented her with India, it simply passed for indisputable truth.
Occasionally, of course, even the smug colonists of the little queen's empire would experience a momentary qualm: Could the conquerors possibly be responsible for the state of the colonized? But they quickly suppressed any doubt and wrapped themselves in their impervious superiority, as in this response by the historian Charles Kingsley to the famine-induced destitution he witnessed in Victorian Ireland: "I am daunted by the human chimpanzees I saw along that hundred miles of horrible country. I don't believe they are our fault [emphasis mine]. I believe that there are not only many more of them than of old, but that they are happier, better and more comfortably fed and lodged under our rule than they ever were. But to see white chimpanzees is dreadful; if they were black, one would not feel it so much, but their skins, except where tanned by exposure, are as white as ours."
Nor can we comfort ourselves that such thinking passed long ago from the scene. As the distinguished Princeton historian Anthony Grafton wrote recently in The New York Review of Books of history departments at the better American universities: "Catholic culture--like most Catholics--was usually disdained, as the province of lesser breeds fit only for the legendary parochial schools where nuns told their charges never to order ravioli on a date, lest their boy friends be reminded of pillows. Stereotypes and prejudices of this kind, as nasty as anything fastened upon Jews, persisted in American universities until an uncomfortably recent date."
That date may be only the day before yesterday. Yet this is not to accuse any historian of deliberate falsification. No, the problem is more subtle than deception--and artfully described by John Henry Newman in his fable of the Man and the Lion:
The Man once invited the Lion to be his guest, and received him with princely hospitality. The Lion had the run of a magnificent palace, in which there were a vast many things to admire. There were large saloons and long corridors, richly furnished and decorated, and filled with a profusion of fine specimens of sculpture and painting, the works of the first masters in either art. The subjects represented were various; but the most prominent of them had an especial interest for the noble animal who stalked by them. It was that of the Lion himself; and as the owner of the mansion led him from one apartment into another, he did not fail to direct his attention to the indirect homage which these various groups and tableaux paid to the importance of the lion tribe.
There was, however, one remarkable feature in all of them, to which the host, silent as he was from politeness, seemed not at all insensible; that diverse as were these representations, in one point they all agreed, that the man was always victorious, and the lion was always overcome.
It is not that the Lion has been excluded from the history of art, but rather that he has been presented badly--and he never wins. When the Lion had finished his tour of the mansion, continues Newman, "his entertainer asked him what he thought of the splendours it contained; and he in reply did full justice to the riches of its owner and the skill of its decorators, but he added, 'Lions would have fared better, had lions been the artists.'"
In the course of this history, we shall meet many entertainers, persons of substance who have their story to tell, some of whom may believe that their story is all there is to tell. We shall be gracious and give them a hearing without disparagement. We shall even attempt to see things from their point of view. But every once in a while we shall find ourselves entertaining lions. At which moments, it will be every reader for himself.
We begin, however, not in the land of lions, but in the orderly, predictable world of Rome. For in order to appreciate the significance of the Irish contribution, we need first to take an inventory of the civilized empire of late antiquity.
From the Trade Paperback edition.
And yet . . . Ireland, a little island at the edge of Europe that has known neither Renaissance nor Enlightenment--in some ways, a Third World country with, as John Betjeman claimed, a Stone Age culture had one moment of unblemished glory. For, as the Roman Empire fell, as all through Europe matted, unwashed barbarians descended on the Roman cities, looting artifacts and burning books, the Irish, who were just learning to read and write, took up the great labor of copying all of western literature--everything they could lay their hands on. These scribes then served as conduits through which the Greco-Roman and Judeo-Christian cultures were transmitted to the tribes of Europe, newly settled amid the rubble and ruined vineyards of the civilization they had overwhelmed. Without this Service of the Scribes, everything that happened subsequently would have been unthinkable. Without the Mission of the Irish Monks, who single-handedly refounded European civilization throughout the continent in the bays and valleys of their exile, the world that came after them would have been an entirely different one--a world without books. And our own world would never have come to be.
Not for a thousand years--not since the Spartan Legion had perished at the Hot Gates of Thermopylae had western civilization been put to such a test or faced such odds, nor would it again face extinction till in this century it devised the means of extinguishing all life. As our story opens at the beginning of the fifth century, no one could foresee the coming collapse. But to reasonable men in the second half of the century, surveying the situation of their time, the end was no longer in doubt: their world was finished. One could do nothing but, like Ausonius, retire to one's villa, write poetry, and await the inevitable. It never occurred to them that the building blocks of their world would be saved by outlandish oddities from a land so marginal that the Romans had not bothered to conquer it, by men so strange they lived in little huts on rocky outcrops and shaved half their heads and tortured themselves with fasts and chills and nettle baths. As Kenneth Clark said, "Looking back from the great civilizations of twelfth-century France or seventeenth-century Rome, it is hard to believe that for quite a long time--almost a hundred years--western Christianity survived by clinging to places like Skellig Michael, a pinnacle of rock eighteen miles from the Irish coast, rising seven hundred feet out of the sea."
Clark, who began his Civilisation with a chapter (called "The Skin of Our Teeth") on the precarious transition from classical to medieval, is an exception in that he gives full weight to the Irish contribution. Many historians fail to mention it entirely, and few advert to the breathtaking drama of this cultural cliffhanger. This is probably because it is easier to describe stasis (classical, then medieval) than movement (classical to medieval). It is also true that historians are generally expert in one period or the other, so that analysis of the transition falls outside their--and everyone's?--competence. At all events, I know of no single book now in print that is devoted to the subject of the transition, nor even one in which this subject plays a substantial part.
In looking to remedy this omission, we may as well ask ourselves the big question: How real is history? Is it just an enormous soup, so full of disparate ingredients that it is uncharacterizable? Is it true, as Emil Cioran has remarked, that history proves nothing because it contains everything? Is not the reverse side of this that history can be made to say whatever we wish it to?
I think, rather, that every age writes history anew, reviewing deeds and texts of other ages from its own vantage point. Our history, the history we read in school and refer to in later life, was largely written by Protestant Englishmen and Anglo-Saxon Protestant Americans. Just as certain contemporary historians have been discovering that such redactors are not always reliable when it comes to the contributions of, say, women or African Americans, we should not be surprised to find that such storytellers have overlooked a tremendous contribution in the distant past that was both Celtic and Catholic, a contribution without which European civilization would have been impossible.
To an educated Englishman of the last century, for instance, the Irish were by their very nature incapable of civilization. "The Irish," proclaimed Benjamin Disraeli, Queen Victoria's beloved prime minister, "hate our order, our civilization, our enterprising industry, our pure religion [Disraeli's father had abandoned Judaism for the Church of England]. This wild, reckless, indolent, uncertain and superstitious race have no sympathy with the English character. Their ideal of human felicity is an alternation of clannish broils and coarse idolatry [i.e., Catholicism]. Their history describes an unbroken circle of bigotry [!] and blood." The venomous racism and knuckle-headed prejudice of this characterization may be evident to us, but in the days of "dear old Dizzy," as the queen called the man who had presented her with India, it simply passed for indisputable truth.
Occasionally, of course, even the smug colonists of the little queen's empire would experience a momentary qualm: Could the conquerors possibly be responsible for the state of the colonized? But they quickly suppressed any doubt and wrapped themselves in their impervious superiority, as in this response by the historian Charles Kingsley to the famine-induced destitution he witnessed in Victorian Ireland: "I am daunted by the human chimpanzees I saw along that hundred miles of horrible country. I don't believe they are our fault [emphasis mine]. I believe that there are not only many more of them than of old, but that they are happier, better and more comfortably fed and lodged under our rule than they ever were. But to see white chimpanzees is dreadful; if they were black, one would not feel it so much, but their skins, except where tanned by exposure, are as white as ours."
Nor can we comfort ourselves that such thinking passed long ago from the scene. As the distinguished Princeton historian Anthony Grafton wrote recently in The New York Review of Books of history departments at the better American universities: "Catholic culture--like most Catholics--was usually disdained, as the province of lesser breeds fit only for the legendary parochial schools where nuns told their charges never to order ravioli on a date, lest their boy friends be reminded of pillows. Stereotypes and prejudices of this kind, as nasty as anything fastened upon Jews, persisted in American universities until an uncomfortably recent date."
That date may be only the day before yesterday. Yet this is not to accuse any historian of deliberate falsification. No, the problem is more subtle than deception--and artfully described by John Henry Newman in his fable of the Man and the Lion:
The Man once invited the Lion to be his guest, and received him with princely hospitality. The Lion had the run of a magnificent palace, in which there were a vast many things to admire. There were large saloons and long corridors, richly furnished and decorated, and filled with a profusion of fine specimens of sculpture and painting, the works of the first masters in either art. The subjects represented were various; but the most prominent of them had an especial interest for the noble animal who stalked by them. It was that of the Lion himself; and as the owner of the mansion led him from one apartment into another, he did not fail to direct his attention to the indirect homage which these various groups and tableaux paid to the importance of the lion tribe.
There was, however, one remarkable feature in all of them, to which the host, silent as he was from politeness, seemed not at all insensible; that diverse as were these representations, in one point they all agreed, that the man was always victorious, and the lion was always overcome.
It is not that the Lion has been excluded from the history of art, but rather that he has been presented badly--and he never wins. When the Lion had finished his tour of the mansion, continues Newman, "his entertainer asked him what he thought of the splendours it contained; and he in reply did full justice to the riches of its owner and the skill of its decorators, but he added, 'Lions would have fared better, had lions been the artists.'"
In the course of this history, we shall meet many entertainers, persons of substance who have their story to tell, some of whom may believe that their story is all there is to tell. We shall be gracious and give them a hearing without disparagement. We shall even attempt to see things from their point of view. But every once in a while we shall find ourselves entertaining lions. At which moments, it will be every reader for himself.
We begin, however, not in the land of lions, but in the orderly, predictable world of Rome. For in order to appreciate the significance of the Irish contribution, we need first to take an inventory of the civilized empire of late antiquity.
From the Trade Paperback edition.
Notă biografică
THOMAS CAHILL is the author of the best-selling books, How the Irish Saved Civilization: The Untold Story of Ireland 's Heroic Role from the Fall of Rome to the Rise of Medieval Europe, The Gifts of the Jews: How a Tribe of Desert Nomads Changed the Way Everyone Thinks and Feels, and Desire of the Everlasting Hills: The World Before and After Jesus. These books comprise the first three volumes of a prospective seven-volume series entitled "The Hinges of History," in which Cahill recounts formative moments in Western civilization. In "The Hinges of History," Thomas Cahill endeavors to retell the story of the Western World through little-known stories of the great gift-givers, people who contributed immensely to Western, culture and the evolution of Western sensibility, thus revealing how we have become the people we are and why we think and feel the way we do today.
Thomas Cahill is best known, in his books and lectures, for taking on a broad scope of complex history and distilling it into accessible, instructive, and entertaining narrative. His lively, engaging writing animates cultures that existed up to five millennia ago, revealing the lives of his principal characters with refreshing insight and joy. He writes history, not in its usual terms of war and catastrophe, but as "narratives of grace, the recountings of those blessed and inexplicable moments when someone did something for someone else, saved a life, bestowed a gift, gave something beyond what was required by circumstance." Unlike all too many history lessons, a Thomas Cahill history book or speech is impossible to forget.
He has taught at Queens College, Fordham University and Seton Hall University, served as the North American education correspondent for the Times of London, and was for many years a regular contributor to the Los Angeles Times Book Review. Prior to retiring recently to write full-time, he was director of religious publishing at Doubleday for six years. He and his wife, Susan, also an author, founded the now legendary Cahill & Company Catalogue, much beloved by readers. They divide their time between New York and Rome.
From the Hardcover edition.
Thomas Cahill is best known, in his books and lectures, for taking on a broad scope of complex history and distilling it into accessible, instructive, and entertaining narrative. His lively, engaging writing animates cultures that existed up to five millennia ago, revealing the lives of his principal characters with refreshing insight and joy. He writes history, not in its usual terms of war and catastrophe, but as "narratives of grace, the recountings of those blessed and inexplicable moments when someone did something for someone else, saved a life, bestowed a gift, gave something beyond what was required by circumstance." Unlike all too many history lessons, a Thomas Cahill history book or speech is impossible to forget.
He has taught at Queens College, Fordham University and Seton Hall University, served as the North American education correspondent for the Times of London, and was for many years a regular contributor to the Los Angeles Times Book Review. Prior to retiring recently to write full-time, he was director of religious publishing at Doubleday for six years. He and his wife, Susan, also an author, founded the now legendary Cahill & Company Catalogue, much beloved by readers. They divide their time between New York and Rome.
From the Hardcover edition.
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During the Dark Ages, learning, scholarship, and culture disappeared from the European continent. The great heritage of Western civilization would have been utterly lost were it not for the holy men and women of the unconquered Ireland. This delightful and illuminating book takes readers to the "island of saints and scholars" and shows how the Irish put their unique stamp on Western culture. 30 illustrations.
During the Dark Ages, learning, scholarship, and culture disappeared from the European continent. The great heritage of Western civilization would have been utterly lost were it not for the holy men and women of the unconquered Ireland. This delightful and illuminating book takes readers to the "island of saints and scholars" and shows how the Irish put their unique stamp on Western culture. 30 illustrations.