How To Wash A Heart: Pavilion Poetry
Autor Bhanu Kapilen Limba Engleză Paperback – 25 mar 2020
Poetry Book Society Choice for Summer 2020. Bhanu Kapil's extraordinary and original work been published in the U.S. over the last two decades to create what she calls in Ban en Banlieue (2015) a 'Literature that is not made from literature.' During that time Kapil has established herself as one of our most important and ethical writers, whose books often defy categorisation, as she fearlessly engages with colonialism and its ongoing and devastating aftermath. Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told. How To Wash A Heart, Kapil's first full-length collection published in the U.K., depicts the complex relations that emerge between an immigrant guest and a citizen host. Drawn from a first performance at the ICA in London in 2019, and using poetry as a mode of interrogation that is both rigorous, compassionate, surreal, comic, painful and tender, by turn, Kapil begins to ask difficult and urgent questions about the limits of inclusion, hospitality and care.
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Specificații
ISBN-13: 9781789621686
ISBN-10: 1789621682
Pagini: 58
Dimensiuni: 117 x 188 x 15 mm
Greutate: 0.07 kg
Editura: Liverpool University Press
Seria Pavilion Poetry
ISBN-10: 1789621682
Pagini: 58
Dimensiuni: 117 x 188 x 15 mm
Greutate: 0.07 kg
Editura: Liverpool University Press
Seria Pavilion Poetry
Notă biografică
Bhanu Kapil is the author of five books of poetry/prose: The Vertical Interrogation of Strangers (Kelsey Street Press, 2001), Incubation: a space for monsters (Leon Works, 2006), humanimal [a project for future children] (Kelsey Street Press, 2009), Schizophrene (Nightboat, 2011), and Ban en Banlieue (Nightboat, 2015)
Descriere
Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told.