Howards End: Longman Cultural Editions
Autor E. M. Forster Editat de Douglas Maoen Limba Engleză Paperback – 31 dec 2008
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Specificații
ISBN-13: 9780205537372
ISBN-10: 0205537375
Pagini: 387
Dimensiuni: 140 x 208 x 23 mm
Greutate: 0.45 kg
Ediția:1
Editura: Longman Publishing Group
Seria Longman Cultural Editions
Locul publicării:New York, United States
ISBN-10: 0205537375
Pagini: 387
Dimensiuni: 140 x 208 x 23 mm
Greutate: 0.45 kg
Ediția:1
Editura: Longman Publishing Group
Seria Longman Cultural Editions
Locul publicării:New York, United States
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Descriere
Art and commerce, nature and industry, idealism and pragmatism, women and men: the struggles, partings, and reconciliations between these pairs drive the narrative of one of the great English novels of the twentieth century. One of the newest additions to The Longman Cultural Editions series, Howards End presents the complete text headed by an inviting introduction, and supplemented by helpful annotations; a table of dates to track its composition, publication, and public reception in relation to biographical, cultural and historical events; and a guide for further inquiry and study.
Cuprins
List of Illustrations
About Longman Cultural Editions
About This Edition
Introduction
Table of Dates
Howards End (1910)
Afterword
Contexts
Money
Currency
Distribution of Wealth
Incomes
Expenses
Early Reviews of Howards End
Anonymous, from the Times Literary Supplement (October 1910)
Anonymous, from the Standard (October 1910)
R. A. Scott-James, from the Daily News (November 1910)
Arnold Bennett, from The New Age (January 1911)
Leonard’s Reading
John Ruskin, from The Stones of Venice (1851—53)
George Meredith, from The Ordeal of Richard Feverel (1859)
Robert Louis Stevenson, from Virginibus Puerisque and Other Papers (1881)
from “Virginibus Puerisque”
from “Walking Tours”
Richard Jefferies, from The Story of My Heart (1883)
The Condition of England
Edward Carpenter, from Civilisation: Its Cause and Cure (1889)
Jack London, from The People of the Abyss (1903)
G. Lowes Dickinson, from A Modern Symposium (1905)
C. F. G. Masterman, from The Condition of England (1908)
Elizabeth Robins, from The Convert (1907)
Englandand Germany
E. E. Williams, from “Made in Germany” (1896)
Elizabeth von Arnim, from Elizabeth and Her German Garden (1898)
Rudyard Kipling, “The Rowers” (1902)
West Africaand Imperialism
Mary Kingsley, from West African Studies (1899)
E. D. Morel, from Affairs of West Africa (1902)
J. A. Hobson,from Imperialism (1902)
Leonard Woolf, from Empire and Commerce in Africa (1920)
Culture and Bloomsbury
Matthew Arnold, from Culture and Anarchy (1882)
G. E. Moore, from Principia Ethica (1903)
Leonard Woolf, from The Wise Virgins (1914)
Virginia Woolf, from The Voyage Out (1915)
Works Cited in This Edition
Further Reading
E. M. Forster’s Writings
Biographical Studies
Critical Studies
About Longman Cultural Editions
About This Edition
Introduction
Table of Dates
Howards End (1910)
Afterword
Contexts
Money
Currency
Distribution of Wealth
Incomes
Expenses
Early Reviews of Howards End
Anonymous, from the Times Literary Supplement (October 1910)
Anonymous, from the Standard (October 1910)
R. A. Scott-James, from the Daily News (November 1910)
Arnold Bennett, from The New Age (January 1911)
Leonard’s Reading
John Ruskin, from The Stones of Venice (1851—53)
George Meredith, from The Ordeal of Richard Feverel (1859)
Robert Louis Stevenson, from Virginibus Puerisque and Other Papers (1881)
from “Virginibus Puerisque”
from “Walking Tours”
Richard Jefferies, from The Story of My Heart (1883)
The Condition of England
Edward Carpenter, from Civilisation: Its Cause and Cure (1889)
Jack London, from The People of the Abyss (1903)
G. Lowes Dickinson, from A Modern Symposium (1905)
C. F. G. Masterman, from The Condition of England (1908)
Elizabeth Robins, from The Convert (1907)
Englandand Germany
E. E. Williams, from “Made in Germany” (1896)
Elizabeth von Arnim, from Elizabeth and Her German Garden (1898)
Rudyard Kipling, “The Rowers” (1902)
West Africaand Imperialism
Mary Kingsley, from West African Studies (1899)
E. D. Morel, from Affairs of West Africa (1902)
J. A. Hobson,from Imperialism (1902)
Leonard Woolf, from Empire and Commerce in Africa (1920)
Culture and Bloomsbury
Matthew Arnold, from Culture and Anarchy (1882)
G. E. Moore, from Principia Ethica (1903)
Leonard Woolf, from The Wise Virgins (1914)
Virginia Woolf, from The Voyage Out (1915)
Works Cited in This Edition
Further Reading
E. M. Forster’s Writings
Biographical Studies
Critical Studies
Textul de pe ultima copertă
A complete list of Longman Cultural Editions appears inside the front cover.
Longman Cultural Editions may be packaged at no additional cost with The Longman Anthology of British Literature, Third Edition, and Masters of British Literature, Volumes A and B.
Longman Cultural Editions may be packaged at no additional cost with The Longman Anthology of British Literature, Third Edition, and Masters of British Literature, Volumes A and B.
Caracteristici
- Longman Cultural Editions include both primary texts of major writers and contemporaneous material that contextualizes those texts, including reviews, critical essays, responses, and newspaper and magazine articles.
- Longman Cultural Editions can be purchased individually, or a single volume can be packaged at no additional cost with The Longman Anthology of British Literature.
Notă biografică
Edward
Morgan
Forster
was
born
in
London
in
1879.
He
wrote
six
novels,
four
of
which
appeared
before
the
First
World
War,
Where
Angels
Fear
to
Tread
(1905),
The
Longest
Journey
(1907),
A
Room
with
a
View
(1908),
and
Howard's
End
(1910).
An
interval
of
fourteen
years
elapsed
before
he
published
A
Passage
to
India.
It
won
both
the
Prix
Femina
Vie
Heureuse
and
the
James
Tait
Black
Memorial
Prize.
Maurice,
his
novel
on
a
homosexual
theme,
finished
in
1914,
was
published
posthumously
in
1971.
He
also
published
two
volumes
of
short
stories;
two
collections
of
essays;
a
critical
work,
Aspects
of
the
Novel;
The
Hill
of
Devi,
a
fascinating
record
of
two
visits
Forster
made
to
the
Indian
State
of
Dewas
Senior;
two
biographies;
two
books
about
Alexandria
(where
he
worked
for
the
Red
Cross
in
the
First
World
War);
and,
with
Eric
Crozier,
the
libretto
for
Britten's
opera
Billy
Budd.
He
died
in
June
1970.
Recenzii
"Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again," said Alfred Kazin.
"Howards End is undoubtedly Forster's masterpiece; it develops to their full the themes and attitudes of [his] early books and throws back upon them a new and enhancing light," wrote the critic Lionel Trilling.
"Howards End is undoubtedly Forster's masterpiece; it develops to their full the themes and attitudes of [his] early books and throws back upon them a new and enhancing light," wrote the critic Lionel Trilling.