I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays
Autor Sonia Sanchez Editat de JACQUELINE WOODen Limba Engleză Paperback – 31 aug 2010
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Specificații
ISBN-13: 9780822347781
ISBN-10: 0822347784
Pagini: 143
Dimensiuni: 163 x 232 x 13 mm
Greutate: 0.31 kg
Editura: Duke University Press
ISBN-10: 0822347784
Pagini: 143
Dimensiuni: 163 x 232 x 13 mm
Greutate: 0.31 kg
Editura: Duke University Press
Cuprins
IntroductionPart I. EssaysPoetry Run Loose: Breaking the Rules (2004); Ruminations/Reflections (1984); Preface to Uh, Uh; But How Do It Free Us? (1974) Part II. PlaysThe Bronx Is Next (1968) Sister Son/ji (1969)Dirty Hearts (1971)Malcolm/Man Dont Live Here No Mo (1972)Uh, Uh; But How Do It Free Us? (1974)Im Black When Im Singing, Im Blue When I Aint (1982)2 X 2 (2009)Selected Bibliography
Recenzii
Sonia Sanchez remains one of the most read, respected, and visible figures of the Black Arts movement, as well as its most significant female figures. Im Black When Im Singing, Im Blue When I Aint and Other Plays only adds to that legacy.Amiri BarakaWhether I encounter Sonia in poetry, prose, or drama, I am always struck by the fearlessness of her intellect, the effortless musicality of her language, and her commitment to putting these giftsalwaysin service of the Struggle. I rejoice for those who, through this book, will encounter Sonia for the first time.Ruby DeePoet Sonia Sanchez deserves a Nobel for her lyrical representation and advocacy of the universal black woman.Ed BullinsThese seven plays by Sonia Sanchez form an emotional and historic bridge from the loud revolutionary power of the 1960s and the twentieth century to the more insidious and subtle challenges of this first decade of the twenty-first. Their power lies in their ability to present super/real snapshots of their time and circumstance with the mystic clarity that mixing poetry and drama can create. From The Bronx Is Next, where Brothers prepare to burn down Harlem tenements, to 2 X 2, where Beverly and Ramona Smith find one another, Sonias persistent call to Blacksand especially to womenis to find the strength to assemble our ghosts and demons, confront them, and lay them to rest. The plays are startling and open us to a Sonia Sanchez whose vision can see the world as stage, or, perhaps, stage as the world.Charles Fuller
Notă biografică
Sonia Sanchez is a poet, playwright, and activist living in Philadelphia. Her many books of poetry include "Shake Loose My Skin," "Does Your House Have Lions?," "Under a Soprano Sky," "Homegirls and Handgrenades," "We a BaddDDD People," and "Homecoming." She is the recipient of numerous honors recognizing her writing and activism, among them a PEN Writers' Award and an American Book Award, as well as the Community Service Award from the National Black Caucus of State Legislators and the Peace and Freedom Award from the Women's International League for Peace and Freedom.Jacqueline Wood is Associate Professor of African American Literature and the Interim Director of the African American Studies Program at the University of Alabama at Birmingham.
Textul de pe ultima copertă
"These seven plays by Sonia Sanchez form an emotional and historic bridge from the loud revolutionary power of the 1960s and the twentieth century to the more insidious and subtle challenges of this first decade of the twenty-first. Their power lies in their ability to present super/real snapshots of their time and circumstance with the mystic clarity that mixing poetry and drama can create. From "The Bronx Is Next," where Brothers prepare to burn down Harlem tenements, to "2 X 2," where Beverly and Ramona Smith find one another, Sonia's persistent call to Blacks--and especially to women--is to find the strength to assemble our ghosts and demons, confront them, and lay them to rest. The plays are startling and open us to a Sonia Sanchez whose vision can see the world as stage, or, perhaps, stage as the world."--Charles Fuller
Descriere
"These seven plays by Sanchez form an emotional and historic bridge from the loud revolutionary power of the 1960s and the 20th century to the more insidious and subtle challenges of this first decade of the 21st."--Charles Fuller.