Iannis Xenakis: Kraanerg: Landmarks in Music Since 1950
Autor James Harleyen Limba Engleză Hardback – 28 aug 2015
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Specificații
ISBN-13: 9781409423317
ISBN-10: 140942331X
Pagini: 154
Ilustrații: Includes 35 b&w illustrations and 8 music examples
Dimensiuni: 153 x 219 x 18 mm
Greutate: 0.43 kg
Ediția:New ed.
Editura: Taylor & Francis
Colecția Routledge
Seria Landmarks in Music Since 1950
Locul publicării:Oxford, United Kingdom
ISBN-10: 140942331X
Pagini: 154
Ilustrații: Includes 35 b&w illustrations and 8 music examples
Dimensiuni: 153 x 219 x 18 mm
Greutate: 0.43 kg
Ediția:New ed.
Editura: Taylor & Francis
Colecția Routledge
Seria Landmarks in Music Since 1950
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Introduction; Biography; Musical background to Kraanerg; The Kraanerg project; Kraanerg analysis; Reception; Performance history; Epilogue; Bibliography; CD track list; Index.
Notă biografică
James Harley is a Canadian composer. He obtained his doctorate at McGill University in 1994, after spending six years (1982-88) composing and studying in Europe (London, Paris, Warsaw). As a researcher, Harley has written extensively on contemporary music. His book Xenakis: His Life in Music was published in 2004.
Recenzii
’James Harley's detailed account of one of Xenakis's most substantial compositions is an exemplary piece of scholarly reconstruction. With ample material on the work's biographical and technical background, and a thorough survey of its performance history and critical reception, a vivid picture emerges of those mid-twentieth-century years in which pioneering and uncompromising avant-garde enterprises like Xenakis's achieved a rare and relatively brief artistic momentum.’ Arnold Whittall, King’s College London, UK
Descriere
With the benefit of access to sketches and recordings in the Xenakis Archives, James Harley presents analytical and critical discussions of Kraanerg's music and reception, including the relationship of the score to the recorded parts. Harley is a composer with first-hand experience of the interlocking fields of acoustic and electronic music that Xenakis made his own. The book is accompanied by a CD, which helps to conceptualize the extremely complex score.