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Icon and Devotion: Sacred Spaces in Imperial Russia

Autor Oleg Tarasov
en Limba Engleză Hardback – 2 ian 2004
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniature paintings, lithographs and engravings never before published in the English-speaking world.

By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
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Specificații

ISBN-13: 9781861891181
ISBN-10: 1861891180
Pagini: 448
Ilustrații: 278 halftones
Dimensiuni: 178 x 222 x 30 mm
Greutate: 1.34 kg
Editura: REAKTION BOOKS
Colecția Reaktion Books
Locul publicării:United Kingdom

Notă biografică

Oleg Tarasov is Senior Research Fellow in the Department of Cultural History of the Institute of Slavic Studies (Russian Academy of Sciences), Moscow. He has written extensively on icons, painting and cultural history.

Cuprins

Foreword by Robin Milner-Gulland
Introduction
PART ONE: THE ICON AND THE WORLD
1. Venerated Image: The Sacred in the Everyday
—The Burden of Numbers
—The Details of Ritual
—Miracles
2. Dispute about Signs, Dispute about Faith
—The Ambivalence of Symbols
—The Complications of Renaming: A Tract Concerning the New Devotion
3. In a World without Grace
—The Shadow of Antichrist
—The Sacralization of the Icon Painter
—The Theology of the People
PART TWO: THE ICON AND POPULAR CULTURE
4. East and West
—Face and Countenance
—Landscape
—Word, Emblem, Heraldry
—The Portrait Icon
5. The Middle Ages Delayed
—Concealed Montage
—Myth and Mystification: Self-Awareness in the Icon-painting Experience
6. Icons and Popular Art
—The Aesthetics of Sensibility
—The Spirit of Religious Tradition
—The Projection of Signs: Icon, Lubok, the Avant-garde
References and Editorial Notes
Bibliography
Index

Recenzii

“Richly illustrated, making available much popular iconographic material generally unfamiliar to Western readers. . . . A fascinating contribution to the cultural history of Russia."

“Invaluable. . . . This remarkable book should be required reading for anyone with a desire to understand imperial Russian culture at a more than superficial level.”