Iconic Turns: Nation and Religion in Eastern European Cinema since 1989: Central and Eastern Europe, cartea 3
Editat de Liliya Berezhnaya, Christian Schmitten Limba Engleză Hardback – 22 mai 2013
Contributors include: Eva Binder, Jan Čulík, Liliya Berezhnaya, Christian Schmitt, Hans-Joachim Schlegel, Maren Röger, Mirosław Przylipiak, Stephen Norris, John-Paul Himka, Maria Falina, and Natascha Drubek.
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Specificații
ISBN-13: 9789004252776
ISBN-10: 9004252770
Pagini: 256
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.54 kg
Editura: Brill
Colecția Brill
Seria Central and Eastern Europe
ISBN-10: 9004252770
Pagini: 256
Dimensiuni: 155 x 235 x 20 mm
Greutate: 0.54 kg
Editura: Brill
Colecția Brill
Seria Central and Eastern Europe
Cuprins
Notes on Contributors
Acknowledgements
Notes on Transliteration
Liliya Berezhnaya and Christian Schmitt
Introduction
Hans-Joachim Schlegel
Religion and Politics in Soviet and Eastern European Cinema: A Historical Survey
I. INSTITUTIONAL POWERS
Steven Norris
Blessed Films: The Russian Orthodox Church and Patriotic Culture in the 2000s
Natascha Drubek
Russian Film Premieres in 2010/11: Sacralizing National History and Nationalizing Religion
Liliya Berezhnaya
Longing for the Empire: State and Orthodox Church in Russian Religious Films
John-Paul Himka
A Cinematic Churchman: Metropolitan Andrey Sheptytsky in Oles Yanchuk’s Vladyka Andrey
II. SACRED AND PROFANE IMAGES
Eva Binder
Rethinking History: Heroes, Saints and Martyrs in Contemporary Russian Cinema
Jan Čulík
The Godless Czechs? Cinema, Religion and Czech National Identity
Christian Schmitt
Beyond the Surface, Beneath the Skin: Immanence and Transcendence in Györgi Pálfi’s Films
III. CONFLICT, TRAUMA, AND MEMORY
Maren Röger
Narrating the Shoah in Poland: Post-1989 Movies about Polish-Jewish Relations in Times of German Extermination Politics
Mirosław Przylipiak
Memory, National Identity, and the Cross: Polish Documentary Films about the Smolensk Plane Crash
Maria Falina
Religion Visible and Invisible: The Case of Post-Yugoslav Anti-War Films
Index
Acknowledgements
Notes on Transliteration
Liliya Berezhnaya and Christian Schmitt
Introduction
Hans-Joachim Schlegel
Religion and Politics in Soviet and Eastern European Cinema: A Historical Survey
I. INSTITUTIONAL POWERS
Steven Norris
Blessed Films: The Russian Orthodox Church and Patriotic Culture in the 2000s
Natascha Drubek
Russian Film Premieres in 2010/11: Sacralizing National History and Nationalizing Religion
Liliya Berezhnaya
Longing for the Empire: State and Orthodox Church in Russian Religious Films
John-Paul Himka
A Cinematic Churchman: Metropolitan Andrey Sheptytsky in Oles Yanchuk’s Vladyka Andrey
II. SACRED AND PROFANE IMAGES
Eva Binder
Rethinking History: Heroes, Saints and Martyrs in Contemporary Russian Cinema
Jan Čulík
The Godless Czechs? Cinema, Religion and Czech National Identity
Christian Schmitt
Beyond the Surface, Beneath the Skin: Immanence and Transcendence in Györgi Pálfi’s Films
III. CONFLICT, TRAUMA, AND MEMORY
Maren Röger
Narrating the Shoah in Poland: Post-1989 Movies about Polish-Jewish Relations in Times of German Extermination Politics
Mirosław Przylipiak
Memory, National Identity, and the Cross: Polish Documentary Films about the Smolensk Plane Crash
Maria Falina
Religion Visible and Invisible: The Case of Post-Yugoslav Anti-War Films
Index
Notă biografică
Liliya Berezhnaya is a research fellow at the University of Münster in the Cluster of Excellence “Religion and Politics.” She earned her MA degree from Moscow State University, and her MA and PhD in history from the Central European University, Budapest. Her most recent book, "Death and the Afterlife in Early Modern Ukrainian Culture," is currently in production at Harrasowitz Verlag, as well as "Catalog of the Ukrainian Last Judgment Images" (Harvard UP), co-written with John-Paul Himka.
Christian Schmitt is a research fellow at the University of Münster in the Cluster of Excellence “Religion and Politics.” He studied German, Dutch, and History in Münster, Leiden, and Amsterdam. His publications include "Kinopathos: Große Gefühle im Gegenwartsfilm" (Bertz +Fischer, 2009). His current research project focuses on notions of community in Adalbert Stifter’s writings.
Christian Schmitt is a research fellow at the University of Münster in the Cluster of Excellence “Religion and Politics.” He studied German, Dutch, and History in Münster, Leiden, and Amsterdam. His publications include "Kinopathos: Große Gefühle im Gegenwartsfilm" (Bertz +Fischer, 2009). His current research project focuses on notions of community in Adalbert Stifter’s writings.