Imperial Museum Dynasties in Europe: Papal Ethnographic Collections and Material Culture: People, Cultures and Societies: Exploring and Documenting Diversities
Autor Alison L. Kahnen Limba Engleză Hardback – 13 sep 2023
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Specificații
ISBN-13: 9789819931880
ISBN-10: 9819931886
Pagini: 145
Ilustrații: XXXVII, 145 p. 31 illus., 7 illus. in color.
Dimensiuni: 155 x 235 mm
Greutate: 0.44 kg
Ediția:1st ed. 2023
Editura: Springer Nature Singapore
Colecția Springer
Seria People, Cultures and Societies: Exploring and Documenting Diversities
Locul publicării:Singapore, Singapore
ISBN-10: 9819931886
Pagini: 145
Ilustrații: XXXVII, 145 p. 31 illus., 7 illus. in color.
Dimensiuni: 155 x 235 mm
Greutate: 0.44 kg
Ediția:1st ed. 2023
Editura: Springer Nature Singapore
Colecția Springer
Seria People, Cultures and Societies: Exploring and Documenting Diversities
Locul publicării:Singapore, Singapore
Cuprins
The Ethnographic Exhibit as a Showcase of Liberal Humanism in Nineteenth-Century Europe.- The Making of the Vatican’s ‘Modern’ Museum Dynasty: The Ethnology of Fr. Wilhelm Schmidt SVD.- Old and New Dynastic Orders: German Anthropology in the era of Bismarck.- Dynastic Networks: The Collision of Christianity and Colonialism in New Guinea.- Fr. Franz Kirschbaum's Contribution to Collecting in New Guinea.- Material Culture Crossing Empires: Notes, Queries and Letters.- The Pontifical Missionary Exhibition (1925): The Last Great Nineteenth-Century Exhibition.- Empires End and Ominous Beginnings-: The Missionary and Ethnological Museum (1927) and the Lateran Treaty (1929).
Notă biografică
Alison Kahn was trained as Anthropologist at the universities of London (M.A.) and Oxford (M.Phil., D.Phil.). She works in the digital archive management sector and in academia, lecturing on documentary filmmaking and museum anthropology. She integrates the use of audio-visual artifacts and digital media as tools and products of her research. Her area of study includes the Vatican’s ethnographic collections and colonial and post-colonial discourses in India, focusing on Naga material culture in European museums and Anglo-Indian global diasporas. Alison is Director of the Oxford Documentary Film Institute, Visiting Fellow in Digital Learning Systems at Loughborough University, and Senior Tutorial Fellow in Museum Anthropology at Stanford University’s Overseas Program in Oxford. Her research portfolio spans across museum curatorship, digital learning, and collaborative ethnographic film-making. Her current research investigates how children engage with multimedia activities, including: film, AI, and online learning platforms.
Textul de pe ultima copertă
This book reveals the history of the Vatican’s ethnographic collections by exploring the imperial, scientific, technological, and religious agendas behind its collecting and curating practices in the early twentieth century. It focuses on two principal contributors: the academic, priest, and ‘Pope’s Curator’, Father Wilhelm Schmidt, SVD, and the missionary and linguist, Father Franz Kirschbaum, SVD. Their narratives are embedded in a unique set of comparisons between the ‘liberal humanist ideals’ that underpinned the 1851 Great Exhibition, mid-nineteenth-century German museology, and the 1925 Pontifical Missionary Exhibition. It relates to the period of high colonialism and rampant missionary activity worldwide. It unravels the complicated political and ideological stance taken by the Catholic Church and its place within the science/religion debates of its time. Establishing an essential link between the secular and catholic practices of collecting and curating ethnographic objectsfrom non-Western traditions, the author proposes a broader framework for post-colonial approaches to scholarly studies of ethnographic collections, including those of the Catholic Church. This book appeals to students and scholars of anthropology, museum studies, history, art history, religion, politics, and cultural studies.
Caracteristici
Explores in detail the Vatican’s Pontifical Missionary Exhibition (PME) of 1925 Demonstrates how national ethnographic museums in Europe constitute elitist dynasties Highlights the historic entanglement of missionary and colonial collecting practices in Western ethnographic museums