Impersonality: Seven Essays
Autor Sharon Cameronen Limba Engleză Paperback – 8 feb 2007
Philosophers have long debated the subjects of person and personhood. Sharon Cameron ushers this debate into the literary realm by considering impersonality in the works of major American writers and figures of international modernism—writers for whom personal identity is inconsequential and even imaginary. In essays on William Empson, Jonathan Edwards, Ralph Waldo Emerson, Herman Melville, T. S. Eliot, and Simone Weil, Cameron examines the impulse to hollow out the core of human distinctiveness, to construct a voice that is no one’s voice, to fashion a character without meaningful attributes, a being that is virtually anonymous.
“To consent to being anonymous,” Weil wrote, “is to bear witness to the truth. But how is this compatible with social life and its labels?” Throughout these essays Cameron examines the friction, even violence, set in motion from such incompatibility—from a “truth” that has no social foundation. Impersonality investigates the uncompromising nature of writing that suspends, eclipses, and even destroys the person as a social, political, or individual entity, of writing that engages with personal identity at the moment when its usual markers vanish or dissolve.
Preț: 310.43 lei
Nou
Puncte Express: 466
Preț estimativ în valută:
59.40€ • 62.50$ • 49.18£
59.40€ • 62.50$ • 49.18£
Carte tipărită la comandă
Livrare economică 14-28 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780226091327
ISBN-10: 0226091325
Pagini: 272
Ilustrații: 2 halftones
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.39 kg
Editura: University of Chicago Press
Colecția University of Chicago Press
ISBN-10: 0226091325
Pagini: 272
Ilustrații: 2 halftones
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.39 kg
Editura: University of Chicago Press
Colecția University of Chicago Press
Notă biografică
Sharon Cameron is the William R. Kenan Jr. Professor of English at the Johns Hopkins University. Among her many publications are Thinking in Henry James,Choosing Not Choosing: Dickinson’s Fascicles, and Beautiful Work: A Meditation on Pain, the first two published by the University of Chicago Press.
Cuprins
Preface
Acknowledgments
1. Introduction by Way of William Empson’s Buddha Faces
2. What Counts as Love: Jonathan Edwards’s True Virtue
3. Representing Grief: Emerson’s “Experience”
4. “The Way of Life by Abandonment”: Emerson’s Impersonal
5. The Practice of Attention: Simone Weil’s Performance of Impersonality
6. “The Sea’s Throat”: T. S. Eliot’s Four Quartets
7. “Lines of Stones”: The Unpersonified Impersonal in Melville’s Billy Budd
Notes
Index
Acknowledgments
1. Introduction by Way of William Empson’s Buddha Faces
2. What Counts as Love: Jonathan Edwards’s True Virtue
3. Representing Grief: Emerson’s “Experience”
4. “The Way of Life by Abandonment”: Emerson’s Impersonal
5. The Practice of Attention: Simone Weil’s Performance of Impersonality
6. “The Sea’s Throat”: T. S. Eliot’s Four Quartets
7. “Lines of Stones”: The Unpersonified Impersonal in Melville’s Billy Budd
Notes
Index
Recenzii
"Sharon Cameron’s seven essays in Impersonality explore identity, personhood, self-making, and much else, through the work of Melville, Weil, Empson and others. It’s a rich and rewarding book that I’ll be thinking about for some time."